Young Egyptian actress Yara El Sokary has put an end to the recent controversy circulating on social media, categorically denying that she suffered any physical injuries while filming her episode on the popular prank show "Ramez Level the Monster." El Sokary confirmed that the reports about her physical harm were completely false, noting that everything went smoothly despite the prank's difficulty.

Behind the scenes of the episode: "I was humiliated and I enjoyed myself."

In response to the rumors, Yara El Sokary clarified that the episode ended on a very positive note, saying, "There were no injuries. On the contrary, the episode finished and we were all sitting around laughing and making fun of things that happened." Describing her experience on the show, whose episode aired yesterday, she added, "I was a bit rough around the edges, but I enjoyed it. There were no injuries, contrary to what was reported in the news. Nothing happened." This statement reflects the artist's good sportsmanship and her acceptance of the show's nature, which relies on excitement and big surprises.

Prank shows: Wide popularity and ongoing controversy

Yara El Sokary's participation in "Ramez Level the Monster" comes within the context of Ramadan programs that enjoy record viewership in the Arab world. Ramez Galal's programs are a fixed annual phenomenon that generates as much controversy as it attracts viewers. These types of programs are usually characterized by physical and psychological challenges for the guests, making rumors of injury a recurring theme that plagues many celebrities after their episodes air. Despite the criticism that sometimes arises regarding the severity of the pranks, the appearance of artists on these shows is an indicator of their strong presence in the art scene, guaranteeing them a place on trending topics and search engines, thus enhancing their local and regional fame and popularity.

The philosophy of silence in the face of rumors

On another note, Yara El Sokary discussed her approach to dealing with the rumors that periodically circulate about her. During her appearance on the program "Secrets of the Stars" with journalist Inji Ali, she explained that the rumors no longer bother her; rather, she views them as evidence of her success and influential presence.

Al-Sukkari, expressing her maturity in dealing with social media, said, "I wasn't bothered by the rumors that circulated, and I said things were going well." She continued, explaining her philosophy: "I don't get upset by these things. I'm a patient person, and I always say, 'Give me some time, and everything will become clear.'" She emphasized that silence is her strongest weapon, adding, "I've always been calm, and I've never responded, but as I've grown older, I've learned more, and silence has never let me down. I deal with the noise with complete silence; there's strength in silence in some matters." This approach reflects an awareness of the importance of focusing on artistic work rather than getting caught up in digital squabbles.

Egyptian star Bassem Samra expressed his great happiness with the widespread positive feedback that accompanied the airing of the series “Magical Eye” during the current Ramadan marathon, praising the audience’s interaction with the character “Zaki Ghanem” that he portrays, and confirming that the popular success achieved by the work exceeded all his personal expectations.

A psychological drama, far removed from traditional action

In an exclusive interview with Okaz newspaper, Bassem Samra explained that the main factor that attracted him to participate in this project from the moment he first read the script was the originality and boldness of its concept. He pointed out that the work completely avoids themes of excessive violence or fast-paced, overused action, focusing instead on the psychological and social development of the characters. He emphasized that the script was very cleverly crafted and relies on meticulous details that reflect lived reality, making it relatable to the Arab viewer.

Zaki Ghanem... A legal chess match

Regarding the nature of his role, the veteran actor pointed out that the character of lawyer Zaki Ghanem, which he portrays, does not belong to the category of stereotypical lawyers who rely on a loud voice or fiery, impassioned speeches in courtrooms. On the contrary, he is a character who moves with remarkable composure and shrewdness, calculating every move with meticulous care. He described his performance as akin to a carefully planned "chess game," where the strength lies in strategy, not emotion.

Behind the scenes of preparation and field research

Samra added that this role required a special kind of preparation, different from his previous roles. He made sure to conduct field research that included observing real lawyers in their daily lives and within the courtrooms. His aim was to understand their true thought processes, their body language, and the timing of their interventions in cases. He emphasized his conviction that the strength of a dramatic character lies more in silence, focus, and deep inner conflict than in outward emotion or shouting.

Artistic context and diversity of roles

Bassem Samra's outstanding performance in this role is a continuation of his rich and diverse artistic career, as he is known for his exceptional ability to seamlessly transition between popular, tragic, and comedic roles. The series "Magical Eye" deserves credit for presenting Samra in a new light, showcasing his acting abilities in roles of intelligence and quiet cunning. This reflects the evolution of Egyptian drama in recent years, moving towards a focus on the psychological depth of characters rather than solely relying on visual spectacle.

Outstanding team

It's worth noting that the series "Magical Eye" boasts a strong cast, starring Bassem Samra, the young star Essam Omar, and the veteran actor Mohamed Alaa, in addition to Faten Saeed, Samaa Ibrahim, and Rabab Mumtaz. The series is written by Hisham Helal and directed by Al-Sadir Masoud, known for his distinctive visual style and his ability to guide actors to bring out their best performances.

In bold statements that brought renewed attention to one of the most serious societal issues, Egyptian artist Bushra revealed painful details about her personal experiences with harassment, stressing that this suffering was the main driving force behind her enthusiasm for producing and starring in the film “678”, which was produced in 2010 and caused a wide uproar at the time.

Details of the three harassment incidents

During her appearance on the "Secrets" program, which airs on Al-Nahar TV, Bushra bitterly recounted three instances of harassment she experienced at different ages. The story began in her childhood, specifically in elementary school, when she was harassed while riding a bus to a private lesson.

That wasn't the only incident in her childhood. Bushra recounted another that occurred while she was on her way to learn to play the piano. "I faced a terrifying situation in one of Cairo's streets," she said. "A man chased me and tried to catch me, but I managed to escape thanks to my speed." She described her escape by saying, "I slipped right through his legs.".

The third and most shocking incident occurred within her artistic work environment, where she revealed that she had been subjected to harassment attempts by some individuals in the industry, specifically a producer and a journalist. She described the seriousness of the situation, which once led her to take refuge in the bathroom and call a friend to rescue her from an attempted assault that nearly ended in disaster.

The film "678": Art confronts reality

Bushra emphasized that the film "678" was not merely a fleeting cinematic work, but rather a cry against societal silence regarding the issue of harassment. Written and directed by Mohamed Diab, the film is considered one of the first Egyptian cinematic works to address the phenomenon of sexual harassment directly and explicitly, portraying the suffering of women from different social classes.

Bushra revealed a strange incident that occurred during the filming of the movie, as the crew was subjected to actual harassment situations during the filming of scenes of gathering in the street, which prompted the intervention of the director, Mohamed Diab, personally to protect the actresses, in addition to using the police forces to control the situation, which proves the realism of the issue raised by the work.

The importance of work and its societal impact

Bushra's statement takes on particular significance given the historical context of the film "678." When it was released in 2010, discussing harassment was considered taboo in Egyptian society. The film played a major role in breaking the silence and encouraging women to report harassers, paving the way for societal and legal discussions that later led to stricter penalties for harassment in Egyptian law.

The film received widespread international acclaim and won awards at international festivals for its success in conveying a realistic picture of the suffering of Egyptian women, and for emphasizing the need to confront this phenomenon with awareness and firmness, a message that Bushra continues to emphasize to this day.