Culture and Art
Poet Ahmed Asiri: The popular saying is about the oppression of women!
In his paper presented at the late writer Mohammed bin Abdullah Al-Humaid's weekly literary gathering, poet and writer Ahmed Abdullah Asiri drew attention to the role of
In his paper presented at the late writer Mohammed bin Abdullah Al-Humaid's weekly literary gathering, titled "The Role of Proverbs in Shaping Values," poet and writer Ahmed Abdullah Asiri highlighted the dangers of proverbs. He cited the image of the broken, marginalized, and subjugated woman presented in these proverbs as an example. He argued that anyone who examines the origins and implications of these proverbs will not find wisdom at all, but rather deception, obfuscation, provocation, and illogical arguments. Asiri cited the proverb "Who knows about Saeeda in the firewood market?" which he described as a biting satire, a display of female oppression, and a crude display of male arrogance. He then asked: Why not use the name Saeed instead of Saeeda?
He stressed that this is impossible, because the speaker took refuge in his masculine deterrents, and the problem does not reside in a passing and shocking proverb, but the follower of popular proverbs and their representations senses that fascination in fueling disappointment and masculine exclusivity.
In his paper, Asiri cited several proverbs, such as "A blind woman applies henna to a fool," "What do you have, Mastoura?" She replied, "A jar and a bottle," "Safiya is not loyal," "Better to hit your mother than your aunt," and "Knowing men is a gain, but knowing women is a loss." He emphasized that a quick glance at these proverbs reveals the extent to which popular sayings project an image of oppression and contempt for women, as if they were unfit for life. Asiri attributed this to the dominance of social heritage, the residues of distorted consciousness, the culture of female infanticide and marginalization, and the perpetuation of the notion of female fragility in the face of a proud and virile masculinity burdened by opposing verbal extremism and a flawed and excessive sense of vanity.
Asiri warned of the danger of the proverb because it does not adhere to the rules of grammar, tends towards eloquence unintentionally, and is often derived from the spoken local dialect. In addition, the proverb has a charm that cannot be underestimated, and because it mostly relies on the eloquence of simile, brevity, and metaphors to reach the intended meaning. It is a product of its environment, language, and event. It is also elegant in expression, a repository of experiences and expertise, and a key to emotions and ideas. The proverb is a treasure trove of peoples' customs and traditions. The proverb has been mentioned in the Holy Qur'an in forty places, between the explicit, the implicit, and the implicit.
Asiri pointed out in his paper that values are a set of principles, standards, and criteria that govern a person’s thoughts, beliefs, attitudes, and dimensions, such as the spiritual, moral, intellectual, aesthetic, emotional, and social dimensions. However, the value he meant in his paper is not the one that is conditional on good expression, but rather the one that is rejected behaviorally and socially in the popular proverb.
Asiri concluded that many proverbs are not worthy of admiration, as some have fallen from grace and respect, some are rejected by good taste, and some promote foolishness, apathy, dependency, stupidity, and shameful behavior. He cited proverbs widely used by people, both young and old, which he described as vulgar and offensive, hurting the senses and taste, such as: "I couldn't get rid of my mother, so she brought me her mother," "A closed mouth catches no flies," "Excessive patience leads to the grave," "Stay with your people even if they go astray," and "There is no confinement except in the grave." He emphasized that the spread of such proverbs poses a significant danger to society because, through their influence, they accumulate in the popular imagination over time, becoming an entrenched cultural heritage. This is because they contain three essential elements: linguistic condensation, semantic reduction, and continuous dissemination.
In the discussions following the presentation, Dr. Abdulhamid Al-Hussami highlighted the importance of the perspective from which Ahmed Asiri addressed popular proverbs, and emphasized that this paper was a project for academic research or a scholarly thesis. Meanwhile, Dr. Abdulrahman Al-Jar'i argued that these proverbs originated within a different historical and narrative context and cannot be separated from their original context.
Dr. Ahmed Al-Tihani praised the paper, describing it as beautifully written and free of academic jargon. He noted that proverbs share many similarities across various countries and are not exclusive to the Asir region. Dr. Ahmed Al-Humaid highlighted the importance of the proverbs collected in the Asir region by the late writer Yahya bin Ibrahim Al-Almai, a work later continued by others. He also commended the paper presented by the writer Ahmed Asiri, whom he described as a mentor from whom they had all learned.
Culture and Art
The truth about Yara El Sokary's injury on Ramez Level the Beast and her fiery response
Yara El Sokary denied being injured on Ramez Level El Wahsh, confirming that she enjoyed the episode. Read the details of her response to the rumors, behind-the-scenes details of her participation with Ramez Galal, and her philosophy on remaining silent.
Young Egyptian actress Yara El Sokary has put an end to the recent controversy circulating on social media, categorically denying that she suffered any physical injuries while filming her episode on the popular prank show "Ramez Level the Monster." El Sokary confirmed that the reports about her physical harm were completely false, noting that everything went smoothly despite the prank's difficulty.
Behind the scenes of the episode: "I was humiliated and I enjoyed myself."
In response to the rumors, Yara El Sokary clarified that the episode ended on a very positive note, saying, "There were no injuries. On the contrary, the episode finished and we were all sitting around laughing and making fun of things that happened." Describing her experience on the show, whose episode aired yesterday, she added, "I was a bit rough around the edges, but I enjoyed it. There were no injuries, contrary to what was reported in the news. Nothing happened." This statement reflects the artist's good sportsmanship and her acceptance of the show's nature, which relies on excitement and big surprises.
Prank shows: Wide popularity and ongoing controversy
Yara El Sokary's participation in "Ramez Level the Monster" comes within the context of Ramadan programs that enjoy record viewership in the Arab world. Ramez Galal's programs are a fixed annual phenomenon that generates as much controversy as it attracts viewers. These types of programs are usually characterized by physical and psychological challenges for the guests, making rumors of injury a recurring theme that plagues many celebrities after their episodes air. Despite the criticism that sometimes arises regarding the severity of the pranks, the appearance of artists on these shows is an indicator of their strong presence in the art scene, guaranteeing them a place on trending topics and search engines, thus enhancing their local and regional fame and popularity.
The philosophy of silence in the face of rumors
On another note, Yara El Sokary discussed her approach to dealing with the rumors that periodically circulate about her. During her appearance on the program "Secrets of the Stars" with journalist Inji Ali, she explained that the rumors no longer bother her; rather, she views them as evidence of her success and influential presence.
Al-Sukkari, expressing her maturity in dealing with social media, said, "I wasn't bothered by the rumors that circulated, and I said things were going well." She continued, explaining her philosophy: "I don't get upset by these things. I'm a patient person, and I always say, 'Give me some time, and everything will become clear.'" She emphasized that silence is her strongest weapon, adding, "I've always been calm, and I've never responded, but as I've grown older, I've learned more, and silence has never let me down. I deal with the noise with complete silence; there's strength in silence in some matters." This approach reflects an awareness of the importance of focusing on artistic work rather than getting caught up in digital squabbles.
Culture and Art
Yasmine Abdel Aziz attacks social media and reveals details of the series "We Forget What Was"
Yasmine Abdel Aziz describes social media as a destroyer of homes and reveals changes in her personality and details of her new series, "We Forget," which was scheduled to be shown in Ramadan 2026 with Karim Fahmy.
In bold statements reflecting a hidden aspect of the stars' suffering with the virtual world, Egyptian star Yasmine Abdel Aziz a scathing attack on social media platforms, describing them as "the worst thing in life," and considering that they have turned into a "tribulation" that has caused the destruction of homes and the ruin of human relationships.
Social media: A professional necessity and a psychological burden
During her recent interview with MBC Shahid, Yasmine didn't hesitate to express her deep dissatisfaction with the pervasive influence of social media on daily life. With her characteristic candor, she said, "Personally, I don't like it, but one has to deal with it for work." She added, with a hint of nostalgia, "I wish things could go back to the way they were.".
These statements come amid a growing global and local debate about the impact of social media on mental health and individual privacy, particularly for celebrities who find themselves constantly under scrutiny. Yasmine Abdel Aziz's remarks reflect a growing desire among a wide range of artists to reclaim the privacy that has been violated by smartphone cameras and hurtful comments, as separating personal and professional life has become a daily challenge for A-list stars.
Personal transformations: from excessive frankness to caution
On a personal level, Yasmine revealed new facets of her personality that have matured over time and through experience. In response to a question about trusting others, she confirmed that she no longer gives her trust as easily as she once did, saying, "Not anymore, it used to happen to me." She also explained that she has abandoned her previous "excessive frankness," preferring silence and careful word choice to avoid problems and misunderstandings.
Regarding the artistic work, Yasmine described the experience of absolute stardom as "sweet and beautiful," while emphasizing the importance of artistic "chemistry" among the team, as she described working with friends as a unique experience that allows for quick understanding and the exchange of ideas, which is reflected positively on the quality of the final artistic work.
Ramadan 2026 marathon and the series "We Forget What Was"
Artistically, Yasmine Abdel Aziz continues her intensive preparations for the Ramadan 2026 drama season with her new series, "We Forget What Was ." This work is considered one of the most anticipated, given Yasmine's immense popularity in the Arab world and her ability to present works that blend social drama with human touches.
The series boasts a stellar cast, reflecting the scale of the production. Alongside Yasmine Abdel Aziz, the cast includes Karim Fahmy, Sherine Reda, Menna Fadali, Khaled Sarhan, Edward, Mohamed Lotfy, Mahmoud Hafez, Elham Wagdy, Cynthia Khalifeh, Lina Sofia, Laila Ezz El Arab, Dareen Haddad, Yara Kassem, Mahmoud Azab, Ahmed El Tohamy, Omar Sharqi, Asmaa Suleiman, Gihan Khairy, and Aya Abdel Razek. Written by the acclaimed writer Amr Mahmoud Yassin and directed by Mohamed El Khibiri, the series promises a strong drama season and fierce competition.
Culture and Art
Filming has wrapped on the series "Al-Set Mona Lisa" starring Mai Omar: Full details
Writer Mohamed Sayed Bashir announced the completion of filming for the series "Al-Set Mona Lisa." Learn more about the project, the cast led by Mai Omar, and the plot of the 15-episode series.
Egyptian writer and screenwriter Mohamed Sayed Bashir officially announced the end of filming for the series “Al-Sit Mona Lisa”, bringing to a close one of the anticipated dramas that brings together a selection of Egyptian drama stars, after an intensive period of work that lasted for several months in different filming locations.
The moment of "breaking up" and celebrating the end
Author Mohamed Sayed Bashir shared a behind-the-scenes photo from the final day of filming on his official social media accounts, expressing his joy at completing the project. Bashir captioned the photo, "Thanks to God's grace and generosity, the series 'Mona Lisa' has wrapped," a common expression in the artistic community to announce the completion of all scenes and the entry of the final editing and mixing stages in preparation for broadcast.
List of the series' cast and crew
The series "Al-Set Mona Lisa" boasts a distinguished cast of stars, blending experience and youth. Leading the cast is Mai Omar, alongside Ahmed Magdy, Injy El Mokaddem, the veteran actress Sawsan Badr, Wafaa Amer, and the comedian Shaimaa Seif, among others. The series is written by Mohamed Sayed Bashir and directed by the acclaimed director Mohamed Ali, who has a long and successful track record of television dramas.
The phenomenon of 15-episode series
The series "Al-Sit Mona Lisa" belongs to the genre of 15-episode dramas, a format that has come to dominate the Egyptian and Arab drama market in recent years, both during Ramadan and outside of it (off-season). This trend comes in response to changing viewing habits among audiences, who now prefer fast-paced, action-packed series free of drawn-out scenes and unnecessary embellishments. This is precisely what these types of shows offer, often streamed on modern digital platforms and achieving high viewership ratings.
A suspenseful social framework
The series unfolds within a suspenseful social framework, a widely popular dramatic genre that blends human issues and complex social relationships with elements of mystery and intrigue. It is expected to generate significant buzz upon its release, given the immense popularity of its stars, particularly Mai Omar, who has achieved consecutive successes in recent drama seasons, leaving audiences eagerly anticipating her new dramatic role as "Mona Lisa.".
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