Culture and Art
The aesthetics of conversational interaction in Ghazi Al-Gosaibi's poetry
Poetic dialogue possesses many aesthetic qualities in terms of condensation, reduction, and the use of dramatic sensibility in the structure of the modern poem, and on
Poetic dialogue carries many aesthetics in terms of condensation, reduction, and employing dramatic sense in the structure of the modern poem. Although dialogue is originally a dramatic technique that works authentically in the art of theater, the relationship between poetry and drama allows the poem to take many dramatic techniques without limits. Perhaps the most prominent of these techniques is the technique of dialogue through injecting intense poetic energy into this dialogue, which makes the structure of the poem a free space for the movement of self-dialogue when the poet converses with himself through personal suffering, and objective dialogue when more than one character is available in the structure of the poem.
The poet Ghazi Al-Qusaibi benefits from this vital technique in his poetic texts; he tries to employ poetic dialogue to serve the development of the poetic dimension in the structure of the poem. He is a poet who always tries, throughout his long poetic experience, to infuse his poem with great dramatic energy whenever he finds a way to do so. In his poem entitled “Between the Friend and the Lover,” the dialogic space is evident from the threshold of the poem’s title, where two characters stand out in the structure of the title in a way that imposes the presence of a poetic dialogic formation between them. The poetic narrator begins to form the dialogic space through the poetics of the question, in which he begins with the presence of a character (another) with a female identity, conveying her words to him in the form of a clear interrogative dialogue, as if it were a continuation of a dialogue that preceded this one
And you ask: "Where are you?"
Where have you been and disappeared to?
Two days have passed and you haven't come
The mechanism of the poetic dialogue between the self-narrator and the other female is moved through the question that the narrator directs to the female character, and he conveys her question to him when she inquires about his absence and disappearance over a specific time period, so her question appears on his tongue and you ask: Where are you looking for him? The implicit dialogue develops from searching for him to inquiring about his absence and disappearance “Where did you disappear to?” When the dialogue question conveyed on the tongue of the narrator becomes clear, the narrator completes the image of the question and its extension to time “Two days have passed and you have not come.”.
The dialogue continues its space when the narrator revisits the dialogue that the woman had directed to find out the reason for his absence two days ago and until now. This dialogue, transmitted through the narrator, leads to an interrogative poetics that attempts to answer the title question, “Between the Friend and the Lover,” through the possible presence of the friend and lover characters in order to resolve the two characteristics and arrive at one decisive characteristic.
The forms of dialogue vary between virtual dialogue with the other, self-dialogue, and imagined dialogue, in order for these forms to contribute to enriching the structure of the poem. On this basis, the poetic dialogic vision opens up completely to the events narrated by the poetic narrator who knows things. However, the female other is the central figure in the strategy of this poetic dialogue, and it varies according to the path leading to the essence of the image, so that the poetic dialogue in this framework becomes a kind of affirmation of many visions, concepts, and values, and it becomes a productive poetic dialogue on this basis and in many of its axes.
The highly emotional dialogue ends with the poetic, subjective narrator addressing the female other, asking her to resolve his situation with her and not neglect him, leaving him abandoned and ignored in a critical state of limbo between heaven and hell:
Don't leave me standing
Between heaven and hell
Listen to the whisper of your melodious voice
I search my way in your eyes
Questions become entangled in this poetic dialogue, which seeks to reach a solution between the realm of the friend and the realm of the lover. Between them lies a vast distance in which a series of opposing feelings accumulate, crowding onto the ladder of challenge. The dialogue call originates from the phrase of negation, which gives the poetic dialogue structure a striking clarity: “Do not leave me standing.” The distance between two opposing places is manifested to the highest degree of antagonism: “between paradise and hell.” What is reflected from the two places in the mind of the recipient are places that have a presence in human memory, and the high degree of antagonism between them in terms of belonging and non-belonging to the religious reference.
The poetic self here lives in a state of bewilderment, disappointment, and shockingly conflicting emotions. It listens to the other's melodious voice in this turbulent sea that strikes deep into the essence of the image: "I listen to the whisper of your melodious voice." The adjective "melodious" here serves to represent the poetic vision in an important central pattern of its patterns.
This listening is not limited to the abstract, simple, and commonplace hearing; rather, it goes beyond it towards obtaining the signpost of the path towards salvation, “I search in your eyes for my path.” This means that the path is closed to the movement of the poetic self towards realizing the image of the self and the essence of identity, and in this case, it is necessary to rectify the situation and know the path in the end, in order to settle on a poetic state that serves the structure of the poem.
Poetic dialogue in this field is one of the most prominent poetic techniques that has been clearly manifested in the experience of the poet Al-Qusaibi. This reflects the nature of the poet’s personality, as he is a person with a great deal of experience in the administrative and diplomatic sphere. This sphere is based on the sensitivity of the general natural dialogue in its reflection on the sensitivity of the poetic dialogue. There is no doubt that the effect of this technique on the structure of the poem would enrich the general poetic space in the experience, and reflect the nature of the exceptional awareness that the poet possesses in this field.
Culture and Art
Fayez Al-Maliki reveals he has benign tumors and begins his treatment journey
Saudi artist Fayez Al-Maliki reassures his fans after revealing that he has benign tumors in his rectum and abdomen, confirming that he has begun his treatment journey amidst widespread support from his fans.
Fayez Al-Maliki reassures his fans and begins his treatment journey
In a move that garnered widespread attention, prominent Saudi artist Fayez Al-Maliki revealed details of his health condition, confirming a diagnosis of benign tumors in his rectum and abdomen. In a direct message via his social media accounts, Al-Maliki reassured his fans and supporters, announcing the start of his treatment journey with confidence and faith, which sparked a wave of support and sympathy in Saudi Arabia and the Gulf region.
In his heartfelt message, Al-Maliki said, “To everyone who asked about me, I pray that God protects you and your loved ones from all harm. I am happy to tell you that I am well. I was diagnosed with tumors in my rectum and abdomen, and they turned out to be benign, praise be to God.” He added optimistically, “My treatment has begun,” confirming that his condition is stable and the initial results are reassuring. He expressed his deep gratitude to everyone who contacted him, saying, “I am receiving treatment and I am doing well, thank God they are benign. Praise and thanks be to God.” He concluded by asking his followers for their prayers.
Background on an inspiring artistic and humanitarian journey
Fayez Al-Maliki, born in Taif in 1969, is considered a pillar of comedy and drama in Saudi Arabia, with an artistic career spanning more than three decades. Al-Maliki began his career in the early 1990s with small roles, but his real breakthrough came with his participation in the popular series "Tash Ma Tash," which opened the doors to stardom. Later, he cemented his position as a leading man in successful works such as the series "Beni wa Benak" and "Saktam Baktam," which not only focused on comedy but also addressed important social issues in a satirical and engaging style, making him a regular guest on Saudi and Gulf television screens.
Alongside his artistic success, Al-Maliki has built a solid reputation for humanitarian and charitable work. Since 2009, he has served as a UNICEF Goodwill Ambassador in the Gulf region, dedicating a significant portion of his time and effort to supporting humanitarian causes, such as children's rights, refugee assistance, and contributing to numerous relief campaigns both within the Kingdom and abroad. This combination of impactful art and genuine philanthropy has earned him a special place in the hearts of millions, making him a widely respected and admired public figure.
The importance of transparency in health awareness and its societal impact
Fayez Al-Maliki's transparent disclosure of his health condition is a courageous and impactful step with significant social implications. In societies where some may hesitate to speak openly about illnesses, especially those affecting sensitive areas of the body, the sharing of a public figure's experience helps break down the barriers of silence and fear. This step encourages the importance of early detection and regular checkups, which are crucial in managing various types of tumors.
Al-Maliki's emphasis on the "benign" nature of tumors sends a powerful message of hope, clarifying to the public that not every tumor necessarily indicates a malignant disease. This reduces the panic that can accompany such diagnoses and underscores the importance of accurate medical diagnosis. Many doctors and health activists have praised this initiative, considering it a practical lesson in social responsibility, where celebrities use their platforms not only for entertainment but also to raise health awareness and promote a positive health culture in society.
Culture and Art
Elham Ali and the truth about the changes in the series "Al-A'sha Street 2"
Artist Elham Ali denies rumors about major changes in the cast of Al-A'sha Street 2, and reveals developments in her character 'Wadha' and details of the anticipated new season.
In recent statements, the brilliant Saudi actress Elham Ali put an end to the controversy surrounding the second season of the hit drama series "Al-A'sha Street," confirming that much of the information circulating on social media is false and has no basis in reality. She clarified that the core cast remains unchanged, denying any fundamental alterations that might affect the series' beloved format.
Background to the success of “Al-A’sha Street”
The series “Al-A’sha Street” is considered one of the most prominent Saudi drama productions in recent years. Its first season successfully transported viewers to 1950s Riyadh, highlighting the profound social and cultural transformations the capital witnessed during that period. The series takes its name from the historic Al-A’sha Street, one of Riyadh’s oldest streets, and presents a story rich in human detail and dramatic conflicts that reflect the spirit of that era. This has led to widespread popular and critical success, raising expectations for the second season.
Clarifications regarding the cast and new stars
Ilham Ali reassured the audience that the creative minds behind the project are continuing their work, especially the writer and supervisor of the series, Dr. Badriya Al-Bashar, who is considered a cornerstone of its success. She teased the audience, saying, "Nothing has changed except that the number of contributors to the project has increased since the first season, as have the guest stars for the second season." She expressed her great happiness and excitement about the addition of prominent artistic names who will significantly enhance the storyline, promising a richer and more diverse season.
The evolution of Wadha's character and a renewed artistic vision
Ilham Ali revealed significant developments in her character, Wadha, who garnered considerable attention in the first season. She stated, "In the first season, I presented a general overview of her character, but in the new season, I will delve deeper, revealing the history and complexities of Wadha's personality and the changes she has undergone." She noted that she had previously resisted the idea of sequels, preferring new artistic challenges. She jokingly added that she enjoyed "twisting the screws" on her previous work, but the success of "Shari' al-A'sha" and the strength of its script led her to reconsider. She also expressed her excitement about reuniting with her colleague, actress Hind Mohammed, following their successful collaboration on the series "Khareef al-Qalb" (Autumn of the Heart).
The promotional campaign increases public enthusiasm
The MBC Shahid platform has already begun building anticipation for the upcoming season, sharing the first teaser trailer that offered quick and intense glimpses into the new atmosphere and upcoming conflicts, featuring all the show's stars. The platform also released individual character posters, further enhancing the promotional campaign with the intriguing tagline: "In Al-A'sha Street, even if dreams fade, the past will always find its way... and from here, the story begins anew." These steps reflect the significant importance the producers place on the series and its anticipated impact on the Gulf and Arab drama landscape in the coming season.
Culture and Art
The play "Sam Ala Asal" (Ghee on Honey): Jumana Murad and Moatasem Al Nahar in Riyadh Season
Learn about the comedy play "Saman Ala Asal" starring Jumana Murad and Moatasem Al Nahar, part of the Riyadh Season events. Find out about showtimes and the other participating stars.
The play “Samman Ala Asal” brings together Syrian stars in Riyadh
Syrian actress Jumana Murad announced her latest theatrical work by releasing the official poster for the play "Saman Ala Asal" (Ghee on Honey), which is scheduled to be performed as part of the arts and culture events of the sixth edition of Riyadh Season. This comedy brings together a selection of Syria's most prominent drama and comedy stars, including Jumana Murad and actor Moatasem Al-Nahar, generating considerable excitement among Arab audiences eager for major theatrical productions.
Show details and staff
In a post on her official social media accounts, Jumana revealed that the comedy play will be performed at the Mohamed Ali Theater in Boulevard City from February 3rd to 7th. Alongside Jumana Murad and Moatasem Al-Nahar, the play stars a distinguished cast including Sarah Baraka, Shukran Murtaja, Ayman Reda, Haya Maraachli, Jamal Al-Ali, and Ahmed Abdel Wahab. The play is directed by Batoul Arafa, who has directed numerous successful productions.
Riyadh Season as a platform for Arab culture and art
The play "Samman Ala Asal" (Ghee on Honey) is being presented as part of Riyadh Season, which has become one of the most important entertainment and cultural festivals in the Middle East. Since its launch as part of the Kingdom's Vision 2030, the season has successfully attracted millions of visitors from within and outside the Kingdom, transforming the capital, Riyadh, into a global tourist destination. The season provides a vital platform for Arab artists to showcase their creativity to a diverse audience, fostering cultural exchange and supporting the creative industries in the region. Hosting theatrical productions of this scale underscores the important role the Kingdom plays in enriching the Arab artistic landscape.
The importance of the work and its expected impact
The play's significance lies in its gathering of stars from different generations, such as the veteran actor Ayman Reda, known for his pioneering comedic roles, and the popular young star Moatasem Al-Nahar. This combination guarantees a diverse audience appeal. The play is expected to achieve great popular success, given the wide fan base of its stars in the Gulf region and the Arab world. This type of joint production also contributes to strengthening artistic ties between Arab countries and opens new avenues for future collaboration.
Jumana Murad's intense artistic activity
On another note, Jumana Murad continues her busy artistic schedule, also participating in the upcoming Ramadan season with the series "The Color Blue." The 15-episode series is written by Mariam Naoum and directed by Saad Hindawi. In it, Jumana presents a social drama inspired by reality, highlighting aspects of suffering and deep human emotions. She is joined by a stellar cast of Egyptian actors, including Ahmed Rizk, Ahmed Badir, Kamal Abu Raya, Naglaa Badr, Hanan Suleiman, and Yara Qassem, reflecting the diversity of her roles and her ability to move seamlessly between comedy on stage and social drama on television.
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