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Minister of Information: Saudi Arabia affirms the centrality of the Palestinian cause and the need for Arab media to unite

Minister of Information Salman bin Yousef Al-Dossari stressed the importance of utilizing Arab media efforts to support the Palestinian cause, and the necessity of concerted efforts

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Minister of Information Salman bin Yousef Al-Dossari stressed the importance of employing Arab media work to support the Palestinian cause, and the need for Arab media outlets to join forces to highlight the resolutions issued by the recent extraordinary Arab and Islamic summit in Riyadh, which affirmed the centrality of the Palestinian cause, the firm support for the Palestinian people to obtain their legitimate national rights, and to find a just and comprehensive solution based on international legitimacy resolutions.

This came during his chairmanship today of the meetings of the 20th regular session of the Executive Bureau of the Council of Arab Information Ministers in the UAE capital, Abu Dhabi, with the participation of the heads of Arab delegations and institutions and unions practicing media missions with observer status at the Council of Arab Information Ministers.

He said: “We are meeting today to discuss 12 items within the framework of Arab efforts aimed at developing joint Arab media work, foremost among them the Palestinian issue,” stressing the importance of the unified Arab plan to interact with environmental issues in the media.

He touched on the Kingdom’s hosting of the Conference of the Parties to the United Nations Convention to Combat Desertification (COP16) and the “One Water” Summit, and the importance of highlighting their outcomes in the Arab media.

The Minister of Information also pointed to the importance of employing artificial intelligence technologies in Arab media, and investing in their role in enhancing content and analyzing audience behavior, calling for benefiting from the experiences of the Global AI Summit held in Riyadh to develop the performance of Arab media work.

The meeting discussed ways to improve media content, in addition to the most important issues related to the role of the media in addressing the phenomenon of terrorism, the efforts of the Arab League in following up on the Arab media action plan abroad, as well as the Arab media map for sustainable development 2030.

The Saudi News Network first launched on Twitter via its official account, @SaudiNews50, and quickly became one of the Kingdom's leading independent news sources, thanks to its fast and reliable coverage of major local and international events. Due to the growing trust of its followers, the network expanded by launching its website, a comprehensive news platform offering regularly updated content in the fields of politics, economics, health, education, and national events, presented in a professional style that meets the public's expectations. The network strives to enhance public awareness and provide accurate information in a timely manner through on-the-ground reporting, in-depth analysis, and a specialized editorial team, making it a trusted source for anyone seeking up-to-the-minute Saudi news.

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The Dictionary of Paradise: A new collection of poems by Muhammad Hamida at the book fair

Poet Mohamed Hamida is releasing his new collection of poems, "The Dictionary of Paradise," written in Egyptian colloquial Arabic, at the Cairo International Book Fair. The collection includes 39 poems and presents a philosophical vision of love and existence.

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The Dictionary of Paradise: A new collection of poems by Muhammad Hamida at the book fair

Amidst the cultural events of the Cairo International Book Fair, one of the most prominent cultural gatherings in the Arab world, Egyptian poet and journalist Mohamed Hamida released his new poetry collection, "The Dictionary of Paradise." Published by Shams Publishing and Media Foundation, this work adds a new dimension to the literary scene, blending profound experience with the beauty of Egyptian colloquial Arabic.

Cultural context and the importance of the event

The Cairo International Book Fair, first launched in 1969, is a major platform for writers, publishers, and intellectuals in the Middle East. Launching a new literary work during its events grants it significant media and public attention, placing it at the heart of the annual cultural debate. The poetry collection "Dictionary of Paradise" comes within this context, offering readers a new poetic experience within the tradition of Egyptian colloquial poetry, which has deep roots in the popular consciousness and was championed by great poets such as Salah Jahin and Ahmed Fouad Negm.

A critical reading of "The Dictionary of Paradise"

The collection, the poet's fifth, comprises 39 poems written in Egyptian colloquial Arabic. It received critical attention from art critic Dr. Rehab El-Din El-Hawary, who praised Hamida's poetic language, describing it as "refined colloquial Arabic" whose structures approach classical Arabic while retaining the warmth and intimacy of the Egyptian vernacular. El-Hawary noted that the poet begins his collection with the duality of "book/dictionary" in the poem "The Book Was in My Right Hand," lending the poem a special sanctity and making love a framework that blends dreamy romanticism with mystical symbolism.

Style and internal music

Al-Hawari explained that Hamida's poems rely on a quiet "inner music" that avoids harsh rhyme, making the texts seem like a sincere and spontaneous outpouring of emotion. The poet successfully condensed entire narrative stories, using vocabulary that reflects the stages of human experience, from "beginning" and "dream" to "challenge" and "anxiety," culminating in "surrender to beauty." He also used nature and its elements (trees, fruit, trunks) as a mirror reflecting human emotions, highlighting his ability to adapt colloquial language to serve the profound philosophical meanings of love and existence.

Poetic images and existential questions

The critic noted the collection's richness in visual imagery and the technique of "anthropomorphizing inanimate objects," where streets and doors become sentient beings that feel and move, as in the line: "All the streets in winter lean against the walls." He described this opening as brilliant because it captures a state of "need for warmth" and support. Al-Hawari also delved into the profound existential questions and pain in Hamida's texts, particularly in the poem "Our Neighborhood's Children Don't Sleep," where the poet asks: "And how can the winter night sleep in the arms of naked children?" This brings the text to a peak of anguish, evoking feelings of fear and pity in the reader.

The writer's journey

It is worth mentioning that the poet Mohamed Hamida has several previous publications that varied between poetry, research and travel literature, including the poetry collection “The Homeland’s Garment is Engraved with the Blood of the Poplar” (2011), the research book “The Sacred Killing” (2015), the poetry collection “A Night Dreaming of Solace” (2016), and the book “Cairo/Marrakech – A Journalistic Journey to the Atlas Mountains” (2025), which reflects a rich and diverse literary career.

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The body of Syrian producer Mohammed Qabbani was found after his abduction

Syrian authorities announced the discovery of the body of producer Mohammed Qabbani four months after his abduction in Damascus. Details of the incident, its background, and its impact on the artistic and security sectors.

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The body of Syrian producer Mohammed Qabbani was found after his abduction

A tragic end for the producer of "Bab Al-Hara"... The body of Muhammad Qabandi was found after months of mystery

The Syrian security authorities have closed the case of the disappearance of drama producer and businessman Muhammad Qabbani, which occupied public opinion for months, as the Ministry of Interior announced on Monday that his body had been found four months after he was kidnapped in mysterious circumstances in front of his company headquarters in the Damascus countryside.

In an official statement, the ministry explained that internal security units found Qabandi along with another kidnapped individual named Hamza al-Lahham, who had been abducted about a month prior. The statement confirmed that the site was secured and the bodies were protected, while the relevant authorities continued their investigations to apprehend the remaining members of the gang involved in the crime.

The ministry called on citizens to cooperate with security authorities, stressing that this cooperation plays a vital role in maintaining public security and accelerating the pace of crime detection, thus ensuring the safety and stability of society.

Background and context of the incident

The details of the incident date back to September 2023, when his son, Hassan Qabandi, announced his father's abduction in a post on his Facebook account. The post revealed that unknown gunmen, impersonating security personnel, used two cars and kidnapped the producer from in front of Qabandi Art Production Company in the Qudsaya suburb of Damascus, taking him to an unknown location. This marked the beginning of a four-month ordeal of uncertainty and anxiety.

Who is Mohammed Qabbani? A controversial figure

Mohammad Qabbani was not merely a drama producer; he was a well-known and controversial public figure in Syria. He owned Qabbani Media Production Company, which produced many popular Syrian dramas, most notably parts of the series "Bab Al-Hara," which enjoyed widespread popularity throughout the Arab world. In addition to his artistic activities, Qabbani was a former member of the Syrian People's Assembly, which granted him influence and a presence in political and social circles.

The impact of the incident on the Syrian scene

This incident casts a shadow over the security situation in Damascus and its surrounding areas, regions supposedly under tight security control. The crime raises questions about the extent of organized gang activity and their ability to carry out kidnappings targeting prominent figures and businessmen, whether for ransom or to settle personal scores. The incident also reflects the ongoing security chaos plaguing various parts of Syria and increases the anxiety among investors and public figures about the possibility of facing similar risks.

With the discovery of the deceased producer's body, the Syrian public and the artistic community are awaiting the results of the official investigations to reveal the identity of the perpetrators and the true motives behind this crime that shook the artistic and social circles in the country, thus closing a chapter in the life of one of the most prominent Syrian drama producers in a tragic way.

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The series "Momken" starring Nadine Njeim and Dhafer L'Abidine has been postponed to 2026

The production company announced the postponement of the series "Momken," starring Nadine Nassib Njeim and Dhafer L'Abidine, and its withdrawal from the Ramadan 2026 drama lineup due to production reasons. Find out the full details.

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The series "Momken" starring Nadine Njeim and Dhafer L'Abidine has been postponed to 2026

The production company of the series “Momken” officially announced the postponement of the show and its withdrawal from the fierce competition of the Ramadan 2026 drama season. This decision means the absence of the anticipated duo, Lebanese star Nadine Nassib Njeim and Tunisian star Dhafer L’Abidine, from the screen during the most-watched season of the year.

Background to the decision and the context of the Ramadan competition

The Ramadan drama season is considered the most important and competitive marathon in the Arab entertainment industry, with major production companies, television channels, and digital platforms vying to showcase their biggest productions featuring A-list stars. In this context, the decision to postpone a series as significant as "Momken" represents a bold move, reflecting a shift in industry priorities, where high artistic quality and meticulous production sometimes outweigh the need to adhere to a fixed broadcast schedule. The production company explained in its statement that the decision was made in full consultation and coordination with the management of MBC Group, the Shahid platform, and director Amin Dorra, with the aim of giving the project the necessary time to complete filming and subsequent post-production phases, ensuring its presentation to the audience in a manner befitting the high expectations.

The importance of the duo and the impact of their absence

The collaboration between Nadine Nassib Njeim and Dhafer L'Abidine is highly anticipated by Arab audiences, especially after their previous successes together, which showcased their remarkable on-screen chemistry. Their absence from the 2026 season not only impacts the programming schedule on the Shahid platform and MBC channels, but also opens the door for other shows to compete for the viewership that was eagerly awaiting their series. This postponement places additional pressure on the show when it finally airs, as audience and critical expectations will undoubtedly rise, with the hope that the delay has resulted in an exceptional and distinctive drama.

Ongoing artistic activity for the stars

Despite the postponement of their joint series, both stars maintain their strong artistic presence. Nadine Nassib Njeim recently participated in the 2024 Ramadan season with the series "2024," which achieved great success. She co-starred with Mohamed Al-Ahmad, and the series was written by Bilal Shahadat and directed by Philip Asmar. Meanwhile, actor Dhafer L'Abidine recently saw the release of his latest film, "The Ladder and the Snake 2 - Child's Play," which brought him together with a stellar cast including Amr Youssef, Asmaa Galal, and Maged El Masry. The film was directed by Tarek Al-Erian, confirming their continued activity in both the television and film industries.

New show date and promise of quality

The production company confirmed at the end of its statement that the final airing date for the series “Momken” will be determined and announced after the end of Ramadan, renewing its promise to the audience to present a distinctive and complete drama that lives up to the level of trust and expectations.

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