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Return

Between accepting God's will and destiny and dwelling on memories, I lived through the past few days in a state of imbalance, days whose darkness prevailed

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Between accepting God's will and destiny and dwelling on memories, I lived through the past few days in a state of imbalance

Its blackness overshadowed its whiteness, and I believe this is a common occurrence when we lose loved ones. All of this followed the death of our dear friend and close colleague, the poet and professor, Dakhil Allah Abu Tawila Al-Khadidi, who met his inevitable fate last Monday, December 2nd

May God have mercy on him and forgive him.

My friendship and relationship with him - may God have mercy on him - extends over many decades, encompassing all stages of life from childhood and youth to maturity up to the present stage of my autumn years. A relationship in which harmony outweighed differences.

I knew him as an outstanding student throughout his educational career, possessing sharp intelligence, in addition to his poetic and critical talent. Here, I borrow some of what the thinker and critic Dr. Saeed Al-Suraihi wrote in the introduction to Abu Tawila's first collection of poems (Divisions on the Grave) 1991, where he said:

"Dakhil Allah is a poet of strength, as the logicians say; we had no doubt about that when we were on the most beautiful beach of our lives."

We try to woo the muse of poetry, but she eludes us. Then we find that she has made Dakhil Allah's pages her tent, so we resort to criticism, evaluating an image here and a meter there. Our friend erupts in anger, exclaiming, "This is how it was created!" So we learn to dare to criticize whatever we wish of him, and leave the muse of poetry to him, to do with as he pleases and as she pleases. A long time passed, during which things separated us that would astound even a friend from his friend, and Dakhil Allah remained captivated by the muse of poetry, and she possessed him until he himself, one evening or morning—I don't recall—became a walking poem.

His second collection of poems, “The Return,” was published in 2001, and I titled this article with it in tribute to its author, may God have mercy on him.

Brother Dakhil Allah Abu Tawila - may God have mercy on him - suffered a health condition more than four decades ago that made him withdraw into himself, stay at home with his family, and become indifferent to culture, poetry and literature, content with the knowledge he had acquired during his bachelor’s and master’s degrees, in which he was distinguished and received an excellent grade in both.

His self-imposed isolation affected him psychologically, making him more inclined towards pessimism. Perhaps the titles of his two poetry collections hint at this melancholy, and he saw no harm in it, as he was honest with himself, and that is how I knew him, may God have mercy on him.

I have many memories with him. I remember that after high school, each of us went our separate ways. He joined King Abdulaziz University, Makkah branch (later Umm Al-Qura University), and the writer of these lines joined King Fahd Security College in Riyadh. He had written a letter to a mutual relative of his and mine, complaining about the financial circumstances. I learned about the letter from that relative, may God have mercy on him as well, and I wrote Abu Tawila a letter containing some sarcastic reproach, concluding it with a verse by Ibn Zaydun after modifying it to suit the occasion:

I remain true to my promise, O son of the most noble, even though

Distance has become a substitute for our closeness.

Half of the monthly bonus was placed within that letter

Perhaps it will lessen his reaction to my sarcastic message.

It wasn't long before I received his message, written in literary language

Rafia concluded with verses in which he said:

O you who live far from our buildings

You are our hopes and dreams throughout time and this world

So cherish the memories of our youth, for I am deeply in love with you

But time is a cycle, sometimes after other times

Do you claim that we love you?

We sold loyalty and threw away our past

No, by the One who created the world and taught us

Love and loyalty, and may you forget our past reconciliation

We are nothing but hearts that are not troubled

Except for the distance, and our estrangement destroys it.

He said it on the beach, the most beautiful of his life, as his friend and colleague Dr. Al-Suraihi said. He was in his first year at university… The poetic spirit is clear from these verses, and his poetic experience developed later on, despite the scarcity of his poems as a result of his illness and asceticism….

Now that he has passed on to what he has done, all I can do is pray for mercy and forgiveness for him - may God have mercy on you, Abu Tamim.

The Saudi News Network first launched on Twitter via its official account, @SaudiNews50, and quickly became one of the Kingdom's leading independent news sources, thanks to its fast and reliable coverage of major local and international events. Due to the growing trust of its followers, the network expanded by launching its website, a comprehensive news platform offering regularly updated content in the fields of politics, economics, health, education, and national events, presented in a professional style that meets the public's expectations. The network strives to enhance public awareness and provide accurate information in a timely manner through on-the-ground reporting, in-depth analysis, and a specialized editorial team, making it a trusted source for anyone seeking up-to-the-minute Saudi news.

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Yasmine Abdel Aziz and the series "Elli Maloush Kebeer" | A Ramadan drama success story

An analysis of the success of the series 'Elly Maloush Kbeer' starring Yasmine Abdel Aziz and Ahmed El Awady, and how the promo and famous phrases such as 'No one has hurt me as much as you' sparked widespread controversy.

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Yasmine Abdel Aziz and the series "Elli Maloush Kebeer" | A Ramadan drama success story

The “He who has no elder” controversy: How did Yasmine Abdel Aziz’s phrase become a trend?

The teaser trailer for the series "Elli Maloush Kbeer" (He Who Has No Big Shot) caused a sensation before its premiere during Ramadan 2021, captivating audiences with scenes that blended action, drama, and romance. However, a single line uttered by star Yasmine Abdel Aziz in one of the most poignant scenes—"No one has hurt me as much as you"—was enough to ignite social media platforms, becoming a memorable line that continues to resonate today and encapsulates the profound psychological struggle experienced by her character, Ghazal, throughout the series.

Background to Yasmine Abdel Aziz's dramatic transformation

The series “Elli Maloush Kbeer” (He Who Has No Big Shot) marked a significant turning point in Yasmine Abdel Aziz's artistic career. After years of dominating the box office in cinema with light comedic roles, she began in recent years to shift towards more complex and profound dramatic roles on television. While she successfully portrayed a romantic and social character in the 2020 series “We Nehabb Tani Leh” (Why Do We Fall in Love Again?), earning critical and popular acclaim, “Elli Maloush Kbeer” showcased her ability to powerfully embody action and suspense roles, portraying a strong female character who defies the difficult circumstances imposed upon her.

The importance of the series and its regional impact

The series' success wasn't limited to being a local hit; its impact extended to becoming a pan-Arab phenomenon during Ramadan. The on-screen chemistry between Yasmine Abdel Aziz and her then-husband, actor Ahmed El Awady, who portrayed "Saif El Khedive," created a unique level of audience engagement in Egypt and the Gulf region. Phrases like "Ala Allah Hekaytak" (God knows your story) and "Wahsh El Kon" (The Beast of the Universe) became part of everyday slang, reflecting the show's deep resonance with Arab viewers. The series tackled sensitive social issues such as domestic violence, forced marriage, and class conflict, all within a compelling and engaging framework that captivated a wide audience.

A story of struggle and power

The series revolves around Ghazal (Yasmine Abdel Aziz), who is forced by her father to marry a wealthy and cruel businessman (Khaled El Sawy) many years her senior. She endures a life filled with oppression and both physical and emotional humiliation. The phrase "No one has ever hurt me as much as you have" is uttered during her confrontation with him, expressing the depth of her suffering. Her life takes a dramatic turn when she meets Saif El Khedewy (Ahmed El Awady), a strong young man with whom she embarks on a love story fraught with challenges and dangers. In him, she finds the protection and support she has always lacked.

Integrated team

The success of "Elli Maloush Kbeer" (He Who Has No Master) is due to the combined efforts of a distinguished team. The series was written by Amr Mahmoud Yassin, who excelled in crafting complex characters and a cohesive plot, and directed by Mustafa Fikry, who delivered a modern visual style and masterful action sequences. The cast included a constellation of stars alongside Yasmine Abdel Aziz and Ahmed El Awady, including Khaled El Sawy, Dina Fouad, Iman El Sayed, and Badria Tolba, each of whom delivered a remarkable performance that contributed to the series' strength and resounding success.

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The Release Series: Amr Saad's Story in Ramadan Drama | Details and Cast

Discover all the details of the series "Efrag," the latest Ramadan project starring Amr Saad. A gripping revenge story, a talented cast, and a major transformation for actor Hatem Salah. Will it be a hit in the competition?

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The Release Series: Amr Saad's Story in Ramadan Drama | Details and Cast

“Efraj” series: Amr Saad returns with a revenge epic in the Ramadan drama race

With the most important drama season in the Arab world approaching, the production company behind the series "Efraj" has released the first teaser trailer, marking the return of Egyptian star Amr Saad to the forefront of the Ramadan competition. The trailer offers a glimpse into a major drama centered on a revenge story filled with challenges and difficult situations, placing the series among the most anticipated shows by audiences.

General context: The fierce Ramadan competition

The Ramadan drama season is the most prominent arena for television productions in Egypt and the Arab world, with major production companies vying to present works that attract millions of viewers. In this context, Amr Saad stands out as one of the stars who has achieved consecutive successes this season, relying on his unique charisma and ability to portray complex characters from the working class, which resonate widely with audiences. His return with the series "Efrag" confirms his continued commitment to this genre of drama in which he has excelled.

A journey of revenge and suspense in “Release”

The teaser trailer reveals that the 30-episode series revolves around the protagonist, played by Amr Saad, as he embarks on a grueling journey of revenge. The story appears steeped in suspense and action, as the hero faces escalating challenges and conflicts with powerful figures. This genre, blending popular social drama with action, has proven highly successful in recent years, and "Efrag" seems poised to follow in the footsteps of such hits, adding a unique touch through the vision of the "Molouk" writing workshop, which is handling the script.

The main characters and dramatic twists

The series doesn't just star Amr Saad; it also features a stellar cast that adds significant weight to the production. One of the biggest surprises revealed in the trailer is the participation of Hatem Salah, known for his comedic roles, in a serious role completely removed from comedy. This presents a major challenge for him, and the audience eagerly anticipates it. The cast also includes Tara Emad, the veteran actor Abdel Aziz Makhyoun, Sama Ibrahim, Safwat, Ahmed Abdel Hamid, Mohsen Mansour, Alaa Morsi, and Sarah Baraka, promising artistic harmony and high-caliber acting.

Importance and expected impact

The series “Efraj” is expected to have a significant impact both locally and regionally. Its airing on MBC Egypt, one of the largest television platforms in the region, guarantees it a wide viewership. Furthermore, the show's success will solidify Amr Saad's position as one of the leading stars of Ramadan dramas. On a social level, series about revenge and personal justice often spark extensive discussions about injustice and the law, which could make “Efraj” a hot topic of discussion on social media throughout Ramadan.

Amr Saad's journey with popular drama

The series “Efrag” comes as a continuation of Amr Saad’s illustrious career, filled with works that have left a lasting impression on Arab viewers. His most recent notable work during Ramadan was the series “Al-Ajhar,” which achieved great success, preceded by series such as “Tawbah” and “Muluk Al-Gada’ana.” Saad’s works are distinguished by their ability to touch upon the social realities of working-class neighborhoods, presenting a popular hero who confronts injustice and strives to achieve justice in his own way, creating a strong sense of empathy and connection between the character and the audience.

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Ramez Galal in Ramadan 2026: Details of the bloody prank show

Artist Ramez Galal revealed his new program for Ramadan 2026, "The Bloody Prank," which relies on visual deception and psychological tension, with the participation of prominent Arab stars.

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Ramez Galal in Ramadan 2026: Details of the bloody prank show

Ramez Galal returns to stir controversy and anticipation this Ramadan season with his new show, aptly titled "The Bloody Prank." The program promises a unique experience that transcends traditional pranks, relying heavily on visual surprises and sophisticated cinematic trickery to place his celebrity guests from the worlds of art and sports in situations that combine intense psychological stress and utter astonishment.

Background of Ramez Galal's programs: A history of excitement and controversy

Ramez Galal is a Ramadan phenomenon par excellence, having successfully presented a series of prank shows for over a decade that have become an integral part of the entertainment rituals of Arab viewers. His career began with programs like "Ramez the Lionheart" and "Ramez the Desert Fox," and his ideas evolved to become more complex and elaborate in later shows such as "Ramez the Airhead" and "Ramez Underground," which always relied on fear and difficult situations. With each season, he raised the bar in terms of challenge and production, making him synonymous with high-budget and controversial pranks.

Details of the "bloody prank": advanced techniques and a psychological scenario

In "The Bloody Prank," Ramez Galal takes this concept to a new level. According to the production company, the new season relies on the design of massive sets that simulate dangerous and unexpected environments, using advanced visual effects and 3D filming techniques to maximize realism. The team indicated that the idea is not limited to the immediate shock, but rather is based on building a gradual psychological scenario designed to progressively increase the guest's stress level, making them experience a complex psychological ordeal before the final revelation of the prank.

Production and Safety: Top Stars and Tightened Measures

As usual, the program will feature a selection of the most prominent Arab stars from various fields, whose presence is a major draw for the audience. In light of criticism leveled at previous programs regarding guest safety, the production company has emphasized unprecedentedly enhanced safety measures. This has been achieved in collaboration with specialized medical and technical teams present on set to ensure that none of the participants suffer any actual physical harm, and to provide immediate intervention in case of any emergency.

Expected impact: Ramadan competition and public engagement

As is typical of Ramez Galal's shows, the "bloody prank" is expected to spark a storm of reactions across social media platforms and top the viewership charts during the fiercely competitive Ramadan season. His programs not only achieve millions of viewers but also become fodder for public debate, with audiences divided between those who see them as entertaining and exciting, and those who criticize the show's approach of terrifying guests. This annual controversy has become part of the program's success, as the production network relies on the element of rapid suspense and widespread public engagement to ensure its dominance of the media landscape.

In conclusion, the production management confirms that the new season not only aims to present more daring pranks, but also seeks to redefine this type of entertainment program and present it in a more professional and productive format, to establish Ramez Galal’s position as one of the most prominent creators of entertainment content in the Arab world during the month of Ramadan.

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