The famous festival performer Hamo Beka was an exceptional guest on the Ramadan prank show “Ramez Level the Monster”, in an episode characterized by excitement and dark comedy, as the star Ramez Galal continued to practice his favorite hobby of directing sarcastic criticisms and fiery introductions that have become a trademark of his annual program, which sparked a wide wave of interaction across social media platforms immediately after the episode was shown.

A frank confrontation and embarrassing questions

The episode featured a direct confrontation with Ramez Galal, who posed a series of personal and professional questions to his guest, Hamo Bika. Bika revealed his true age, confirming he is 37. Amidst the fierce competition in the popular music scene, Ramez put Bika in a difficult position, forcing him to choose between stars Reda El Bahrawy and Hassan Shakoush. Bika settled the debate with his personal opinion, declaring his support for his colleague Hassan Shakoush, whom he described as "number one" in this genre of music today—a statement expected to spark controversy among the two stars' fans.

Behind the scenes of prison and personal crises

The episode was not without its human and revealing aspects, as the conversation touched upon the crises Hamo Bika has faced throughout his career. With complete candor, Bika explained that his record of major crises is limited to only two, surprisingly revealing that he had been imprisoned twice previously. In a gesture of loyalty, he emphasized that his wife was his sole support during those ordeals, being the only one who made a point of visiting him. In a sarcastic comment reflecting the severity of the prank he endured, Bika remarked that the prison experience was "easier" than the terror he experienced on Ramez Galal's show.

The atmosphere of "The Squid Game" and the psychology of the prank

This year's "Ramez Level the Monster" program is based on a dramatic and psychological plot inspired by the popular Korean series "Squid Game." Victims are lured into participating in a seemingly normal event with presenter Ellen Watfa. Things quickly take a turn for the worse when the guest is locked in a room and finds themselves face-to-face with Ramez Galal. This triggers a series of tests and surprises that put the guest under immense psychological and emotional pressure, explaining the intense and sometimes comical reactions from the celebrities.

A diverse guest list and a large audience

The program continues to attract a host of the Arab world's brightest stars, guaranteeing its top viewership ratings during Ramadan. The guest list for "Ramez Level the Monster" includes prominent names from the worlds of art and sports, among them actress Ghada Abdel Razek, actor Ahmed El Sakka, Hana El Zahed, Asmaa Galal, and Hamo Bika, who has become a familiar and popular face on prank shows due to his spontaneity and unpredictable reactions, which are hugely popular with viewers.

The death of Souad Hosny , the Cinderella of Arab cinema, has resurfaced in the media, sparking a storm of controversy and questions that have persisted for over two decades since her passing. This comes after fiery statements made by Ganjah Abdel Moneim, the late actress's sister, who directly and explicitly accused Souad's friend, Nadia Yousry, of seizing her personal belongings and valuable jewelry after her death in London.

Details of the charges: Empty suitcases and missing gold

In recent television interviews that reopened old wounds, Gengah revealed shocking details about the family's inheritance. She explained that the belongings she received from Nadia Yousri consisted of seven suitcases, but the surprising fact was that three of them were completely empty, while the remaining suitcases contained only simple loungewear, hardly reflecting the wealth the legendary actress once possessed.

The deceased's sister confirmed that Souad Hosny owned jewelry, gold, and a valuable wristwatch, all of which disappeared and were not handed over to the heirs. Ganjah indicated that she was intimately familiar with the contents of Souad's suitcases, having personally packed them with her sister before Souad's departure for medical treatment. This leads her to believe that Nadia Yousry seized the gold and watch, taking advantage of the mysterious circumstances surrounding Souad's death.

Cinderella... a great artistic and historical legacy

This debate cannot be discussed without acknowledging the immense artistic value that Souad Hosny represents in the history of Arab art. The late actress, nicknamed "Cinderella," left behind a vast cinematic legacy that shaped the sensibilities of successive generations. Through films such as "Take Care of Zouzou," "The Second Wife," and "Too Young for Love," Souad reigned supreme in Egyptian cinema, combining exceptional acting talent with singing and performing, making her life and personal affairs a constant source of interest even years after her passing.

The mystery of the death in London... the story that hasn't ended

This new accusation brings renewed attention to the enduring mystery surrounding the circumstances of Souad Hosny's death on June 21, 2001. The incident, in which she fell from the balcony of her sixth-floor apartment in London's Stuart Tower, continues to divide public opinion between the suicide theory adopted by the British police at the time, and the murder theory held by her family and a large segment of her fans. The accusations of theft further fuel the family's suspicions of foul play and hidden motives behind the tragic event, leaving the case of the "Cinderella of Egyptian Cinema" wide open to speculation and ongoing journalistic investigations.

In a significant legal development within the artistic community, the Administrative Court of the State Council issued a landmark ruling in favor of Lebanese star Haifa Wehbe, suspending the previous decision by the Musicians Syndicate to ban her from performing in Egypt. The court ordered the syndicate to pay court costs and legal fees, thus granting the artist the green light to immediately resume her artistic activities and perform concerts in Egypt.

The legal dispute stems from a decision by the Musicians Syndicate, which the artist deemed unfair, prompting her to seek legal recourse in the Egyptian courts, which ultimately ruled in her favor. Haifa Wehbe's lawyer explained in press statements that the ruling is immediately enforceable, noting that the Musicians Syndicate has filed an appeal with the Supreme Administrative Court, with a hearing scheduled for June 1st. The lawyer emphasized, based on Article 50 of State Council Law No. 47 of 1972, that simply filing an appeal does not suspend the execution of the ruling in his client's favor unless a special decision is issued by the Appeals Review Chamber to stay its implementation, which has not yet occurred.

This ruling is particularly significant given Egypt's status as a hub for Arab art and a launching pad for Arab stars. Cairo has always been the most important stop on any Arab artist's career, the platform that grants them a wide audience stretching from the Atlantic to the Gulf. Haifa Wehbe's return to performing in Egypt is a highly anticipated event for her large fan base, especially with the approaching summer concert season and music festivals in Egyptian coastal cities, where Haifa is a force to be reckoned with in the world of public concerts.

Historically, the relationship between Haifa Wehbe and the Egyptian Musicians Syndicate has witnessed several periods of tension and conflict, the reasons for which varied between contractual disputes with producers or observations about clothing and performance. However, the Egyptian judiciary has always been the arbiter in resolving these disputes, emphasizing the rule of law and preserving the rights of artists as long as they adhere to the regulations and laws governing artistic work.

In another legal battle, Haifa Wehbe continues to defend her personal and commercial rights, having filed a lawsuit in the Cairo Economic Court against a prominent doctor. The artist accuses the doctor of exploiting her photos and videos in advertising campaigns to promote his clinic without her prior consent. In her lawsuit, Haifa is seeking 5 million Egyptian pounds in civil damages, arguing that this constitutes a blatant violation of her privacy and an unlawful exploitation of her fame, reflecting her strong commitment to protecting her brand and public image.

With this ruling, the curtain is temporarily drawn on the ban crisis, allowing Haifa Wehbe to begin a new phase of preparation for her upcoming projects in Egypt, pending the outcome of the appeal hearing next June, amid anticipation from those following artistic and legal affairs in Egypt.