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Analysis of the poem "I Don't Care About the Labyrinth" by the poet Mahmoud Darwish

Discover an in-depth and analytical reading of the poem “I Don’t Care About the Labyrinth” by the Palestinian poet Mahmoud Darwish, and explore the meanings of memory, exile, and the search for self in his immortal poetry.

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Analysis of the poem "I Don't Care About the Labyrinth" by the poet Mahmoud Darwish

Introduction: The Eternal Voice of Palestine

The poem “I Don’t Care About the Labyrinth” is one of the most profound works by the great Palestinian poet Mahmoud Darwish, a symbol of modern Arabic literature and the most prominent voice of the Palestinian cause in international forums. This poem was published among his later works, which marked a shift in his style from direct, resistance-oriented discourse to philosophical and existential reflection. In these later works, the poet delves into the depths of the human psyche, transcending the boundaries of geography and immediate politics to address universal human concerns.

In this poem, Darwish explores complex concepts such as meaning, memory, exile, and the search for a homeland—not merely as a geographical entity, but as a state of spiritual and psychological stability. It represents the stage of intellectual maturity the poet reached, where the labyrinth (a symbol of loss and political complexity) is no longer his primary concern; rather, his greatest preoccupation has become the search for individual salvation and the meaning of existence amidst the surrounding chaos.

The poem's text: I don't care about the labyrinth

The meaning will catch you

The poem surrounds you

Then she flees towards what the memory of calamities is accustomed to

And every time you fence in a memory, the distant one will seize you

Take your feeble fear from your shadows

Take the embers of your endurance

Shadows are betrayed by a fugitive body

And if you were to inscribe the skins of your life in the pure open air

Take a homeland;

For life is in God's hands

I have accompanied you in secret, O song

And within you, I was dodging the ancient chaos

Or perhaps I am outwitting another who throws the stones of prophecy into baskets

Why do you leave me alone, O song?!

I will undo the chains of slander that have clung to the grains of wind

I take refuge behind doors, locks, and dilapidated houses

The slander will be carried by the post

I will say to the lingering pain:

I was fascinated by the maze

Before the labyrinth enters our nightly path

Then I say to the lingering pain:

I don't care about the maze

After the disciple disbelieved

And tomorrow, if you cast your music into a desolate desert

Listen to your hoarse voice in the sorrow of the violin

And your hoarse voice in the rhythm of a song

Recite what the sad one tries for and what the happy one tries for

Take off your shoes before you step onto the stairs

Perhaps there is a fragility in the inspiration of your meager ladder

Or perhaps there is monotony in the inspiration of your meager ladder

In both cases, the ladders of the dead deviate and do not deviate.

Significance and context: From resistance to existentialism

The significance of this poem lies in its reflection of the evolution of Mahmoud Darwish's thought. After decades of writing the "poetry of resistance" that became synonymous with his name, Darwish began exploring new dimensions of human existence. The "labyrinth" here is not merely the labyrinth of politics and the Palestinian conflict, but the labyrinth of life itself, the search for certainty in a world rife with doubt. When he says, "I care not for the labyrinth after the disciple has disbelieved," he is declaring a state of philosophical weariness and liberation from ideologies that no longer offer satisfactory answers, whether political or intellectual.

The global impact of Darwish's poetry

Mahmoud Darwish's influence was not limited to the local or regional sphere; it extended across the globe. His works have been translated into more than 22 languages, and he received numerous international literary awards. Darwish succeeded in transforming the Palestinian experience from a mere political issue into a human epic of lost homeland and the search for identity, which is why his poetry resonates with all who have suffered injustice or felt alienated in this world. Poems like "I Don't Care About the Labyrinth" contribute to establishing this universal dimension, as readers from any culture find an echo of their own feelings in the poet's words about loss, memory, and fading hope.

The Saudi News Network first launched on Twitter via its official account, @SaudiNews50, and quickly became one of the Kingdom's leading independent news sources, thanks to its fast and reliable coverage of major local and international events. Due to the growing trust of its followers, the network expanded by launching its website, a comprehensive news platform offering regularly updated content in the fields of politics, economics, health, education, and national events, presented in a professional style that meets the public's expectations. The network strives to enhance public awareness and provide accurate information in a timely manner through on-the-ground reporting, in-depth analysis, and a specialized editorial team, making it a trusted source for anyone seeking up-to-the-minute Saudi news.

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Culture and Art

Mohamed Ramadan excluded from the Africa Cup of Nations final: The full story

Artist Mohamed Ramadan revealed details of his exclusion from the closing ceremony of the 2023 Africa Cup of Nations, expressing his displeasure with the organizers. Learn the full story and the reasons behind the dispute.

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Mohamed Ramadan excluded from the Africa Cup of Nations final: The full story

Controversy surrounds the closing ceremony of the 2023 Africa Cup of Nations

Egyptian artist Mohamed Ramadan sparked widespread controversy after announcing his exclusion from performing at the closing ceremony of the 2023 Africa Cup of Nations, held in Ivory Coast. In a video posted to his official Instagram account, Ramadan revealed details of what happened, describing the situation as "disturbing" and humiliating to him as an Arab artist representing Egypt.

Background of participation and general context

This controversy arises from Mohamed Ramadan's participation in the tournament's official song, "Akwaba," which brought him together with prominent African stars such as the Ivorian band Magic System and Nigerian singer Yemi Allied. The song achieved widespread popularity and was considered a symbol of African unity through art and music. It was natural for the public to expect to see the song's stars perform it live at one of the tournament's two main ceremonies, the opening or closing ceremony, given its significant symbolic and media impact.

Details of Mohamed Ramadan's novel

In his account of the events, Ramadan explained that he was delighted to participate in this important continental event and that he had dedicated time and effort to filming the song in Marrakech, Morocco. He noted that he was initially informed his performance would be at the opening ceremony, before being told it had been postponed to the closing ceremony. However, the shock, as he described it, came just one day before the final, when he received no official communication from the organizers to confirm his participation or arrange logistical details. He considered this unprofessional and unbecoming of the event's scale and his artistic stature.

Importance and expected impact

Participating in major sporting events, such as the Africa Cup of Nations, is a golden opportunity for artists to enhance their international presence and reach a global audience. The absence of an artist of Mohamed Ramadan's stature, who enjoys a wide fan base in Africa and the Arab world, from the closing ceremony came as a surprise to many of his followers. This situation raised questions about the organizational efficiency and communication of the tournament's organizing committee, which is affiliated with the Confederation of African Football (CAF). Ramadan concluded his remarks by expressing his deep dissatisfaction with the way he was treated, officially announcing his withdrawal from the event and emphasizing that an artist's dignity and respect come first.

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Culture and Art

The future of Saudi cinema: Discussions at the Saudi Media Forum 2024

The Saudi Media Forum is hosting 8 of the most prominent art makers to discuss the transformations of cinema and drama, the impact of digital platforms, and ways for Saudi content to reach a global audience.

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The future of Saudi cinema: Discussions at the Saudi Media Forum 2024

At the heart of the rapidly evolving cultural landscape of Saudi Arabia, the Saudi Media Forum as a vital platform, bringing together leading figures in art, film, and production to discuss the future of content creation. In its current edition, the forum hosts eight prominent figures in intensive dialogue sessions aimed at analyzing the current reality, envisioning the future, and answering the pivotal question: How can Saudi content compete globally amidst the rapid pace of technological transformation?

Background: A cultural and cinematic renaissance

This forum comes at a time of historic transformation in Saudi Arabia. With the launch of Vision 2030, the culture and entertainment sector has witnessed significant leaps forward, most notably the return of cinemas in 2018 after a decades-long absence. This decision not only opened doors to international theaters but also ignited a spark of creativity among a new generation of Saudi directors, writers, and producers who found support and opportunities to present their local stories with a contemporary artistic vision. Discussions about the identity of Saudi cinema, its accessibility, and the challenges of production have become crucial for this nascent and ambitious industry, and these are precisely the issues the forum aims to address.

Discussion topics: Between the death of cinema and the birth of innovation

The expert discussions are spread across several main sessions, most notably the session “The Death of Cinema: Did Platforms Kill the Big Screen or Redefine It?” This session features artist and cultural consultant Abdulilah Al-Sinani , who analyzes the changing mood of the audience, and director Abdulaziz Al-Shalahi , who addresses the impact of platforms on film language and narrative structure. They are joined by Hanaa Al-Omair , President of the Cinema Association, who presents a strategic vision on how traditional cinema can survive, and Manal Al-Owaibil , an expert in corporate communications, who connects cultural narrative with creating lasting impact.

Another session, titled “Local Innovations with a Global Touch,” will feature veteran producer Hassan Asiri , who will share his decades of experience in bringing local productions to the Arab world. He will be joined by artist Fahad Albutairi , who will share his expertise in establishing successful digital platforms such as “Telfaz11,” and actor Ibrahim Al-Hajjaj , who will highlight the comedy industry as a bridge to connect with global audiences while preserving local flavor.

Drama and national values: from local to global

In the session “From Epic to Screen: Employing Heroism in Drama to Promote National Values,” director Tawfiq Al-Zaidi , who recently made history with his film “Noura” as the first Saudi film to compete in the official selection at the Cannes Film Festival, will discuss how to draw inspiration from epics and history to create dramas that promote national values ​​and resonate globally, thus opening the door for Saudi drama to become a cultural ambassador for the Kingdom.

Importance and expected impact

These sessions are not merely intellectual discussions; they serve as a compass guiding the future of investment and policy in the Saudi media and entertainment sector. The forum's outcomes are expected to contribute to charting a clear roadmap for content creators, encouraging public-private partnerships, and strengthening the Kingdom's position as a leading regional hub for creative industries. This is a strategic step towards building a diversified knowledge economy and leveraging "soft power" to present a new image of Saudi Arabia to the world.

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Culture and Art

Artist Mahmoud Bashir, star of “I Will Not Live in My Father’s Robe,” dies at 76

The esteemed Egyptian actor Mahmoud Bashir passed away after a battle with illness. Learn about his artistic career and his most prominent roles in timeless works such as "I Will Not Live in My Father's Robe.".

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Artist Mahmoud Bashir, star of "I Will Not Live in My Father's Robe," dies at 76

Artist Mahmoud Bashir passed away at the age of 76

The renowned Egyptian actor Mahmoud Bashir passed away at the age of 76 after a long battle with illness, leaving behind a rich artistic legacy and a special place in the hearts of viewers who cherished his memorable roles in classic Egyptian dramas. The news of his death was announced by actor Mounir Makram, a member of the Actors' Syndicate, on his official Facebook page, where he offered a heartfelt eulogy, confirming that Bashir's passing came after a period of health struggles in his final days.

Details of the last days

The late artist Mahmoud Bashir had suffered a severe health crisis recently, requiring his transfer to a major hospital in Cairo for treatment. His condition deteriorated significantly, prompting doctors to place him on a ventilator in the intensive care unit, where he ultimately passed away, bringing to a close an artistic career spanning decades.

A prolific artistic career at the heart of Egyptian drama

Mahmoud Bashir was born on March 9, 1950, and began his artistic career at a time when Egyptian television drama was flourishing. He wasn't a leading man in the traditional sense, but he was one of the most memorable and essential figures in the works he participated in. He excelled at portraying supporting roles with sincerity and professionalism, making his presence a key element in the success of many series that have become part of the collective memory of entire generations.

His role in the iconic series "I Will Not Live in My Father's Robe" is considered one of his most prominent artistic milestones, where he left a clear mark despite the limited screen time. He also shone in other works that achieved widespread popular success, such as "Morning and Evening Talk," "The Night and Its End" with the star Yehia El-Fakharany, and "Abbas El-Abyad in the Black Day." His diverse roles reflected his ability to move seamlessly between social and historical settings, proving that he is a talented artist in command of his craft.

The importance and influence of Mahmoud Bashir in the art scene

The passing of Mahmoud Bashir represents a loss for one of the "second-tier" artists who formed the backbone of Egyptian drama for decades. These artists, despite not being at the forefront of the spotlight, were instrumental in creating a complete and realistic dramatic world that resonated with audiences. Bashir was a familiar and reassuring face for viewers, his appearances associated with high-quality family dramas that brought Arab families together around the screen. His last appearance was in the series "Aho Dah Elly Sar" in 2019, marking the end of a quiet yet impactful and profound artistic career.

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