Culture and Art
ماجد الكدواني في رمضان: تفاصيل مسلسله الأول «كان ياما كان»
لأول مرة، يخوض النجم ماجد الكدواني المنافسة الرمضانية بمسلسل «كان ياما كان». تعرف على تفاصيل دوره وتحديات التجربة وفريق العمل الكامل.
يستعد الفنان المصري القدير ماجد الكدواني لخوض أولى تجاربه في عالم الدراما الرمضانية من خلال مسلسله الجديد «كان ياما كان»، في خطوة فنية انتظرها جمهوره طويلاً. وتأتي هذه المشاركة لتضيف اسماً كبيراً إلى قائمة المنافسين في الموسم الذي يُعتبر الأهم والأكثر مشاهدة على الساحة العربية، مما يثير حالة من الترقب حول طبيعة العمل الذي سيقدمه نجم سينمائي من العيار الثقيل.
خلفية الماراثون الرمضاني وأهميته
يُعد موسم الدراما الرمضانية في مصر والوطن العربي ظاهرة ثقافية واجتماعية فريدة، حيث تتسابق كبرى شركات الإنتاج ونجوم الصف الأول لتقديم أفضل ما لديهم. تاريخياً، ارتبط شهر رمضان بالتجمعات العائلية حول شاشة التلفزيون، مما جعل من هذا الموسم ساحة تنافس شرسة على نسب المشاهدة والإعلانات. إن دخول فنان بحجم ماجد الكدواني، المعروف بانتقائيته الشديدة وتفضيله للأعمال السينمائية ذات العمق الفني، إلى هذا الماراثون يمثل بحد ذاته حدثاً فنياً بارزاً، ويطرح تساؤلات حول ما إذا كان سيغير من قواعد المنافسة.
الكدواني يتحدث عن التجربة الأولى
في تصريحات تلفزيونية حديثة، عبر الكدواني عن مشاعره المختلطة تجاه هذه التجربة الجديدة، قائلاً: «هذه أول مرة أشارك في رمضان، وأشعر بمزيج من التحدي والحماس». وأوضح أن خصوصية الموسم الرمضاني تفرض على الفنانين مسؤولية كبيرة، نظراً لحساسية الجمهور وتركيزه الشديد. وأضاف: «حساسية المشاهدين تفرض علينا احترام أذواقهم وإمتاع مشاعرهم، وأسأل الله أن نوفق في ذلك».
شخصية إنسانية عميقة وتحديات العمل
وحول دوره في المسلسل، وصف الكدواني شخصيته بأنها «إنسانية»، ورغم بساطتها الظاهرية، إلا أنها تحمل عمقاً كبيراً. وأشار إلى أن أحد أبرز التحديات التي واجهت فريق العمل كان في صياغة الفكرة والحفاظ على التوازن الدقيق بين السرد البسيط والعمق الإنساني للشخصيات، لضمان تقديم عمل فني قادر على جذب اهتمام الجمهور وإثارة تفاعله طوال حلقاته.
تأثير متوقع في ظل المنافسة
لا شك أن وجود الكدواني سيترك بصمة مهمة على خريطة الدراما الرمضانية. فمن المتوقع أن يجذب المسلسل شريحة واسعة من الجمهور الذي يثق في اختياراته الفنية. وعن قلقه من المنافسة الشديدة، قال الكدواني: «أشعر ببعض القلق من الزحام والمنافسات، لكن المؤلفة شيرين دياب شجعتني على المشاركة، وهذا يجعل التجربة جديدة ومميزة بالنسبة لي». ويأتي المسلسل ضمن فئة الأعمال المكونة من 15 حلقة، وهو توجه حديث في الدراما أثبت نجاحه في تقديم قصص مكثفة وسريعة الإيقاع بعيداً عن مط والتطويل.
فريق عمل مسلسل «كان ياما كان»
يشارك في بطولة مسلسل «كان ياما كان» إلى جانب ماجد الكدواني نخبة من الفنانين، من بينهم يسرا اللوزي، نهى عابدين، عارفة عبدالرسول، يوسف عمر، جلا هشام، وعمرو وهبة. العمل من تأليف الكاتبة المتميزة شيرين دياب وإخراج كريم العدل، وهو ما يبشر بوجود رؤية فنية متكاملة وجودة إنتاجية عالية.
Culture and Art
Mohamed Ramadan excluded from the Africa Cup of Nations final: The full story
Artist Mohamed Ramadan revealed details of his exclusion from the closing ceremony of the 2023 Africa Cup of Nations, expressing his displeasure with the organizers. Learn the full story and the reasons behind the dispute.
Controversy surrounds the closing ceremony of the 2023 Africa Cup of Nations
Egyptian artist Mohamed Ramadan sparked widespread controversy after announcing his exclusion from performing at the closing ceremony of the 2023 Africa Cup of Nations, held in Ivory Coast. In a video posted to his official Instagram account, Ramadan revealed details of what happened, describing the situation as "disturbing" and humiliating to him as an Arab artist representing Egypt.
Background of participation and general context
This controversy arises from Mohamed Ramadan's participation in the tournament's official song, "Akwaba," which brought him together with prominent African stars such as the Ivorian band Magic System and Nigerian singer Yemi Allied. The song achieved widespread popularity and was considered a symbol of African unity through art and music. It was natural for the public to expect to see the song's stars perform it live at one of the tournament's two main ceremonies, the opening or closing ceremony, given its significant symbolic and media impact.
Details of Mohamed Ramadan's novel
In his account of the events, Ramadan explained that he was delighted to participate in this important continental event and that he had dedicated time and effort to filming the song in Marrakech, Morocco. He noted that he was initially informed his performance would be at the opening ceremony, before being told it had been postponed to the closing ceremony. However, the shock, as he described it, came just one day before the final, when he received no official communication from the organizers to confirm his participation or arrange logistical details. He considered this unprofessional and unbecoming of the event's scale and his artistic stature.
Importance and expected impact
Participating in major sporting events, such as the Africa Cup of Nations, is a golden opportunity for artists to enhance their international presence and reach a global audience. The absence of an artist of Mohamed Ramadan's stature, who enjoys a wide fan base in Africa and the Arab world, from the closing ceremony came as a surprise to many of his followers. This situation raised questions about the organizational efficiency and communication of the tournament's organizing committee, which is affiliated with the Confederation of African Football (CAF). Ramadan concluded his remarks by expressing his deep dissatisfaction with the way he was treated, officially announcing his withdrawal from the event and emphasizing that an artist's dignity and respect come first.
Culture and Art
The future of Saudi cinema: Discussions at the Saudi Media Forum 2024
The Saudi Media Forum is hosting 8 of the most prominent art makers to discuss the transformations of cinema and drama, the impact of digital platforms, and ways for Saudi content to reach a global audience.
At the heart of the rapidly evolving cultural landscape of Saudi Arabia, the Saudi Media Forum as a vital platform, bringing together leading figures in art, film, and production to discuss the future of content creation. In its current edition, the forum hosts eight prominent figures in intensive dialogue sessions aimed at analyzing the current reality, envisioning the future, and answering the pivotal question: How can Saudi content compete globally amidst the rapid pace of technological transformation?
Background: A cultural and cinematic renaissance
This forum comes at a time of historic transformation in Saudi Arabia. With the launch of Vision 2030, the culture and entertainment sector has witnessed significant leaps forward, most notably the return of cinemas in 2018 after a decades-long absence. This decision not only opened doors to international theaters but also ignited a spark of creativity among a new generation of Saudi directors, writers, and producers who found support and opportunities to present their local stories with a contemporary artistic vision. Discussions about the identity of Saudi cinema, its accessibility, and the challenges of production have become crucial for this nascent and ambitious industry, and these are precisely the issues the forum aims to address.
Discussion topics: Between the death of cinema and the birth of innovation
The expert discussions are spread across several main sessions, most notably the session “The Death of Cinema: Did Platforms Kill the Big Screen or Redefine It?” This session features artist and cultural consultant Abdulilah Al-Sinani , who analyzes the changing mood of the audience, and director Abdulaziz Al-Shalahi , who addresses the impact of platforms on film language and narrative structure. They are joined by Hanaa Al-Omair , President of the Cinema Association, who presents a strategic vision on how traditional cinema can survive, and Manal Al-Owaibil , an expert in corporate communications, who connects cultural narrative with creating lasting impact.
Another session, titled “Local Innovations with a Global Touch,” will feature veteran producer Hassan Asiri , who will share his decades of experience in bringing local productions to the Arab world. He will be joined by artist Fahad Albutairi , who will share his expertise in establishing successful digital platforms such as “Telfaz11,” and actor Ibrahim Al-Hajjaj , who will highlight the comedy industry as a bridge to connect with global audiences while preserving local flavor.
Drama and national values: from local to global
In the session “From Epic to Screen: Employing Heroism in Drama to Promote National Values,” director Tawfiq Al-Zaidi , who recently made history with his film “Noura” as the first Saudi film to compete in the official selection at the Cannes Film Festival, will discuss how to draw inspiration from epics and history to create dramas that promote national values and resonate globally, thus opening the door for Saudi drama to become a cultural ambassador for the Kingdom.
Importance and expected impact
These sessions are not merely intellectual discussions; they serve as a compass guiding the future of investment and policy in the Saudi media and entertainment sector. The forum's outcomes are expected to contribute to charting a clear roadmap for content creators, encouraging public-private partnerships, and strengthening the Kingdom's position as a leading regional hub for creative industries. This is a strategic step towards building a diversified knowledge economy and leveraging "soft power" to present a new image of Saudi Arabia to the world.
Culture and Art
Artist Mahmoud Bashir, star of “I Will Not Live in My Father’s Robe,” dies at 76
The esteemed Egyptian actor Mahmoud Bashir passed away after a battle with illness. Learn about his artistic career and his most prominent roles in timeless works such as "I Will Not Live in My Father's Robe.".
Artist Mahmoud Bashir passed away at the age of 76
The renowned Egyptian actor Mahmoud Bashir passed away at the age of 76 after a long battle with illness, leaving behind a rich artistic legacy and a special place in the hearts of viewers who cherished his memorable roles in classic Egyptian dramas. The news of his death was announced by actor Mounir Makram, a member of the Actors' Syndicate, on his official Facebook page, where he offered a heartfelt eulogy, confirming that Bashir's passing came after a period of health struggles in his final days.
Details of the last days
The late artist Mahmoud Bashir had suffered a severe health crisis recently, requiring his transfer to a major hospital in Cairo for treatment. His condition deteriorated significantly, prompting doctors to place him on a ventilator in the intensive care unit, where he ultimately passed away, bringing to a close an artistic career spanning decades.
A prolific artistic career at the heart of Egyptian drama
Mahmoud Bashir was born on March 9, 1950, and began his artistic career at a time when Egyptian television drama was flourishing. He wasn't a leading man in the traditional sense, but he was one of the most memorable and essential figures in the works he participated in. He excelled at portraying supporting roles with sincerity and professionalism, making his presence a key element in the success of many series that have become part of the collective memory of entire generations.
His role in the iconic series "I Will Not Live in My Father's Robe" is considered one of his most prominent artistic milestones, where he left a clear mark despite the limited screen time. He also shone in other works that achieved widespread popular success, such as "Morning and Evening Talk," "The Night and Its End" with the star Yehia El-Fakharany, and "Abbas El-Abyad in the Black Day." His diverse roles reflected his ability to move seamlessly between social and historical settings, proving that he is a talented artist in command of his craft.
The importance and influence of Mahmoud Bashir in the art scene
The passing of Mahmoud Bashir represents a loss for one of the "second-tier" artists who formed the backbone of Egyptian drama for decades. These artists, despite not being at the forefront of the spotlight, were instrumental in creating a complete and realistic dramatic world that resonated with audiences. Bashir was a familiar and reassuring face for viewers, his appearances associated with high-quality family dramas that brought Arab families together around the screen. His last appearance was in the series "Aho Dah Elly Sar" in 2019, marking the end of a quiet yet impactful and profound artistic career.
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