Young Egyptian actor Mustafa Gharib a new and different artistic challenge in his career, as he prepares to star in his first leading role in the upcoming Ramadan drama series "Heya Kimya" (She's Kimya) . This step comes as a culmination of Gharib's successive successes in recent years, where he has captured attention with his natural talent and commanding presence, especially in the comedic roles he has played, most notably the character "Al-Atra" in the "Al-Kabir Awi" series, making him one of the most prominent rising young stars in the Egyptian art scene.

Behind the scenes of approval and confidence in the text

In discussing his decision to join the project, Mustafa Gharib revealed in a press statement that his enthusiasm stemmed from the high quality of the writing and the thorough preparation. He explained that the writer, Mohab Tarek him at the time, informing him that half of the series' episodes had already been written before filming began. Gharib emphasized that having a well-written and clearly defined script gave him a significant sense of confidence and security, reducing the tension and risk that typically accompany an actor's first leading role, thus encouraging him to make the decision and move forward with the project.

Preparing for the character of "Sultan" and the performance methodology

Regarding his readiness to dominate the drama scene, the young actor emphasized that he follows a methodology based on focusing entirely on the quality of his work, rather than being preoccupied with competition or ranking among stars. He indicated that he is currently meticulously and deeply studying the character of "Sultan," whom he portrays in the series. This study includes a careful reading of the scripts to grasp the psychological and social dimensions of the character, as well as determining the physical appearance that best serves the role. He also noted his commitment to creating opportunities for thoughtful improvisation that adds dynamism to the scenes, in close coordination and continuous consultation with the director and writer to ensure the best possible performance.

Series synopsis: Thriller and mystery in the world of crime

The series "Heya Kimya" unfolds within a framework of suspense and intrigue, departing somewhat from the pure comedy in which audiences are accustomed to seeing Ghareeb. Mustafa Ghareeb portrays Sultan, a simple young man whose circumstances lead him to find himself embroiled in a mysterious and perilous world. Events force him to become entangled in a complex web of dubious relationships, where his primary goal becomes survival and uncovering the mystery behind what happened to his brother. As the plot thickens, Sultan gradually draws closer to realms of violence and corruption, presenting viewers with a dramatic experience full of twists and turns.

Betting on youth in the Ramadan marathon

The series "Heya Kimya" reinforces the recent trend in the Egyptian drama industry of giving opportunities to young stars to take center stage and shoulder leading roles, especially in productions aired during Ramadan, the most important and widely watched season in the Arab world. This work reflects the growing confidence of producers in the ability of the new generation to attract audiences and deliver compelling and engaging dramas capable of competing with the major productions of veteran stars.

The Saudi and Arab media community has lost one of its most prominent figures who dedicated his life to serving the honest word, with the passing of colleague and professor Abdullah Al-Qubai’, who died suddenly, leaving behind a professional legacy spanning decades, and a fragrant biography that tells a story of struggle and passion that began as a hobby and ended at the top of the journalistic pyramid.

Beginnings in Jeddah... a passion that defies difficulties

The deceased was born in Jeddah in 1959, and it was in its alleyways that his earliest dreams took shape. His entry into the world of journalism was not easy; rather, it came at a time when the profession demanded immense perseverance and patience. Al-Qubai'i earned a Bachelor of Social Sciences degree from King Abdulaziz University in 1980, but his true passion led him to the "Royal Press." He began his journey as a simple amateur, armed with an overwhelming love for writing, skillfully and persistently progressing from a field reporter chasing news to the head of the arts section at Al-Madina newspaper, establishing a new era of serious art criticism.

The London School: Refining the Experience in the "Middle East"

Abdullah Al-Qubai’s time in London marked a pivotal turning point in his career, as he moved to work for the international newspaper Asharq Al-Awsat. At that time, London was the capital of the Arab diaspora press and a training ground for leading Arab journalists. There, Al-Qubai rose through the ranks to become managing editor, gaining international experience and high professional standards, and contributing to shaping the Arab media landscape from the heart of Europe, thus acquiring a comprehensive vision that transcended local boundaries.

Return and leadership: Envisioning the future of media

Al-Qubai’s success wasn’t limited to daily journalism; he was also a pioneer in anticipating media transformations. He assumed the editorship of “TV Arabia,” the first publication specializing in satellite media, keeping pace with the satellite channel boom in the region. Upon his return to his homeland, he was a natural choice to become deputy editor-in-chief of Al-Watan newspaper, contributing to the establishment of a modern and bold journalistic school in the Kingdom. He crowned his career with the editorship of “Ru’a” magazine, published by the Okaz Foundation, where he made his mark on entertainment and society journalism.

Between literature and the screen... multiple talents

The late author's creativity wasn't confined to paper and ink; it extended to the silver screen, where he participated in the production of high-quality television programs, including literary and cultural programs on MBC and sports programs on ART channels, reflecting his encyclopedic knowledge and exceptional professional versatility. On the literary front, his book "My Letters to You" revealed another facet of Al-Qubai'i: that of a sensitive, romantic soul, blending the professionalism of a journalist with the emotional depth of a writer.

Goodbye, noble one

Abdullah Al-Qubai, a father of four and a friend whose colleagues unanimously praised his gentle nature and kind heart, has passed away. He departed quietly, as was his character, without fanfare or complaint, after fulfilling his mission with utmost integrity and dedication. His life will remain a lesson for young generations of journalists, demonstrating that true professionalism is built gradually, patiently, and with respect for the reader.

The editorial team of "Okaz" and the media community extend their sincere condolences and sympathy to his family and relatives, asking God to have mercy on him.

The past few hours have witnessed a state of controversy within the artistic community, specifically among the Ramadan drama producers, after a public dispute arose between the artist Nada Bassiouni and the producer Bilal Sabri, regarding the promotional materials for the series “The Victims,” which is scheduled to be shown in the second half of the holy month of Ramadan.

Crisis details and product response

The story began when actress Nada Bassiouni strongly objected to her image being used on the official poster for the series. However, producer Bilal Sabry responded decisively, insisting on the current design. In his statements, Sabry explained that the poster design is the sole prerogative of the production company, according to artistic conventions, and that artists have no right to interfere as long as it serves the dramatic vision of the work. He also noted that the other cast members had not voiced any objections.

Sabri addressed Bassiouni directly via Facebook, saying, "Sorry, all the artists liked the post. You're like a sister to me, Nada, but the post belongs to the production company." Sabri justified the actress's appearance by explaining that the series revolves around death, adding, "Why fear death? We're all going to die... that's the essence of the series, and I won't change the poster.".

Nada Bassiouni's dissatisfaction

For her part, Nada Bassiouni did not hide her displeasure, writing on her personal account: "Of course, I'm working on the series 'The Victims,' produced by Bilal Sabry, who is my brother, but I completely object to the poster idea." She questioned indignantly why she was being portrayed in this way without her consent, describing the image as "absolutely awful.".

The importance of posters in dramatic marketing

This incident opens the door to a discussion about the importance of promotional posters in the drama industry, as the poster is the primary means of visual communication between the work and the audience. Amidst the fierce competition of the Ramadan season, production companies strive to use designs that express the essence of the story, even if they sometimes appear shocking, to attract attention and pique curiosity. This seems to be the approach adopted by the creators of "The Victims" to reflect the atmosphere of mystery and death that pervades the events.

The story of the work and its heroes

The series "The Victims" unfolds as a suspenseful and thrilling drama centered on the character of "Sultan," shrouded in an aura of death and mystery, where a series of deaths befall anyone who approaches his world. The work portrays a complex psychological struggle between good and evil within the human psyche.

The series features a stellar cast including Salah Abdullah, Mirna Walid, Wafaa Salem, Amr Ramzy, Sherif Desouky, Randa El Beheiry, Aida Riyad, Enas Mekky, Nayera Aref, Hossam Helmy, Mohamed El Maabdy, and Mahga El Ghandour. It is written and directed by Hatem Salah El Din.