Culture and Art
The Landmarks of the Cosmic Village by Saud Al-Saadi: How do we read the place rhetorically?
Al-Raghib al-Isfahani says, “According to linguists, a place is a location that contains something.” From this definition, we can discern the density that a place represents
Al-Raghib Al-Isfahani says, “According to the people of language, a place is the location that contains something.”.
From this definition, we perceive the density that the place represents, and that this containment is the density that is capable of expansion. This characteristic is evident in the place that exists in the village, in which the place transcends representation to representation, and this is what Dr. Saud Al-Saadi excelled in in his book (The Landmarks of the Universal Village).
If we were to talk about the village and choose a model for it, we would not find a village that we could call the “universal village” better than “the mother of villages,” Mecca, which is the village that the author chose for his book.
Professor of Criticism and Rhetoric, Dr. Saud Al-Saadi, introduces his book by saying, “The book presents the idea of approaching landmarks and concepts in the context of universal rhetoric, moving from representation to embodiment, so that the topics and issues of rhetoric become visible instead of being examples of expression. In the context of this embodiment, this study came to extract a universal model from the Mother of Cities, represented in five landmarks of the universal village.”.
Thus, the landmarks in Mecca appear, through the duality of density and extension proposed by the researcher, which are respectively: the mountain, the valley, the well, the tree, and the mosque.
This is achieved by focusing on the statement of the monument in which the world is transformed into a great sign, and its features into signs and verses. This would move rhetoric from the horizon of representation to the horizon of embodiment.
Here we find that the landmarks chosen by the author, namely: the mountain, the valley, the well, the tree, and the mosque, are signs and symbols of what they represent in terms of density, which creates the eloquence of the place to achieve extension.
The book is a fascinating stimulus for reflecting on the reality of place as a rhetorical symbol of dimensions larger than the physical space and the philosophy of language.
This book explores the question, "How do we read place rhetorically? And how does a village become a microcosm?".
This gives us a speculative theory of the relationship between rhetoric and place, that rhetoric goes beyond language to place, that there is a reciprocal relationship between what place represents on earth and what it represents in rhetoric, and that place has an extension that leads us to a better understanding of society, life, and changes as well.
The book is a rich feast for those seeking to experience a contemplative state that stimulates reflection on creation, the universe, life, and language.
Culture and Art
The truth about Yara El Sokary's injury on Ramez Level the Beast and her fiery response
Yara El Sokary denied being injured on Ramez Level El Wahsh, confirming that she enjoyed the episode. Read the details of her response to the rumors, behind-the-scenes details of her participation with Ramez Galal, and her philosophy on remaining silent.
Young Egyptian actress Yara El Sokary has put an end to the recent controversy circulating on social media, categorically denying that she suffered any physical injuries while filming her episode on the popular prank show "Ramez Level the Monster." El Sokary confirmed that the reports about her physical harm were completely false, noting that everything went smoothly despite the prank's difficulty.
Behind the scenes of the episode: "I was humiliated and I enjoyed myself."
In response to the rumors, Yara El Sokary clarified that the episode ended on a very positive note, saying, "There were no injuries. On the contrary, the episode finished and we were all sitting around laughing and making fun of things that happened." Describing her experience on the show, whose episode aired yesterday, she added, "I was a bit rough around the edges, but I enjoyed it. There were no injuries, contrary to what was reported in the news. Nothing happened." This statement reflects the artist's good sportsmanship and her acceptance of the show's nature, which relies on excitement and big surprises.
Prank shows: Wide popularity and ongoing controversy
Yara El Sokary's participation in "Ramez Level the Monster" comes within the context of Ramadan programs that enjoy record viewership in the Arab world. Ramez Galal's programs are a fixed annual phenomenon that generates as much controversy as it attracts viewers. These types of programs are usually characterized by physical and psychological challenges for the guests, making rumors of injury a recurring theme that plagues many celebrities after their episodes air. Despite the criticism that sometimes arises regarding the severity of the pranks, the appearance of artists on these shows is an indicator of their strong presence in the art scene, guaranteeing them a place on trending topics and search engines, thus enhancing their local and regional fame and popularity.
The philosophy of silence in the face of rumors
On another note, Yara El Sokary discussed her approach to dealing with the rumors that periodically circulate about her. During her appearance on the program "Secrets of the Stars" with journalist Inji Ali, she explained that the rumors no longer bother her; rather, she views them as evidence of her success and influential presence.
Al-Sukkari, expressing her maturity in dealing with social media, said, "I wasn't bothered by the rumors that circulated, and I said things were going well." She continued, explaining her philosophy: "I don't get upset by these things. I'm a patient person, and I always say, 'Give me some time, and everything will become clear.'" She emphasized that silence is her strongest weapon, adding, "I've always been calm, and I've never responded, but as I've grown older, I've learned more, and silence has never let me down. I deal with the noise with complete silence; there's strength in silence in some matters." This approach reflects an awareness of the importance of focusing on artistic work rather than getting caught up in digital squabbles.
Culture and Art
Yasmine Abdel Aziz attacks social media and reveals details of the series "We Forget What Was"
Yasmine Abdel Aziz describes social media as a destroyer of homes and reveals changes in her personality and details of her new series, "We Forget," which was scheduled to be shown in Ramadan 2026 with Karim Fahmy.
In bold statements reflecting a hidden aspect of the stars' suffering with the virtual world, Egyptian star Yasmine Abdel Aziz a scathing attack on social media platforms, describing them as "the worst thing in life," and considering that they have turned into a "tribulation" that has caused the destruction of homes and the ruin of human relationships.
Social media: A professional necessity and a psychological burden
During her recent interview with MBC Shahid, Yasmine didn't hesitate to express her deep dissatisfaction with the pervasive influence of social media on daily life. With her characteristic candor, she said, "Personally, I don't like it, but one has to deal with it for work." She added, with a hint of nostalgia, "I wish things could go back to the way they were.".
These statements come amid a growing global and local debate about the impact of social media on mental health and individual privacy, particularly for celebrities who find themselves constantly under scrutiny. Yasmine Abdel Aziz's remarks reflect a growing desire among a wide range of artists to reclaim the privacy that has been violated by smartphone cameras and hurtful comments, as separating personal and professional life has become a daily challenge for A-list stars.
Personal transformations: from excessive frankness to caution
On a personal level, Yasmine revealed new facets of her personality that have matured over time and through experience. In response to a question about trusting others, she confirmed that she no longer gives her trust as easily as she once did, saying, "Not anymore, it used to happen to me." She also explained that she has abandoned her previous "excessive frankness," preferring silence and careful word choice to avoid problems and misunderstandings.
Regarding the artistic work, Yasmine described the experience of absolute stardom as "sweet and beautiful," while emphasizing the importance of artistic "chemistry" among the team, as she described working with friends as a unique experience that allows for quick understanding and the exchange of ideas, which is reflected positively on the quality of the final artistic work.
Ramadan 2026 marathon and the series "We Forget What Was"
Artistically, Yasmine Abdel Aziz continues her intensive preparations for the Ramadan 2026 drama season with her new series, "We Forget What Was ." This work is considered one of the most anticipated, given Yasmine's immense popularity in the Arab world and her ability to present works that blend social drama with human touches.
The series boasts a stellar cast, reflecting the scale of the production. Alongside Yasmine Abdel Aziz, the cast includes Karim Fahmy, Sherine Reda, Menna Fadali, Khaled Sarhan, Edward, Mohamed Lotfy, Mahmoud Hafez, Elham Wagdy, Cynthia Khalifeh, Lina Sofia, Laila Ezz El Arab, Dareen Haddad, Yara Kassem, Mahmoud Azab, Ahmed El Tohamy, Omar Sharqi, Asmaa Suleiman, Gihan Khairy, and Aya Abdel Razek. Written by the acclaimed writer Amr Mahmoud Yassin and directed by Mohamed El Khibiri, the series promises a strong drama season and fierce competition.
Culture and Art
Filming has wrapped on the series "Al-Set Mona Lisa" starring Mai Omar: Full details
Writer Mohamed Sayed Bashir announced the completion of filming for the series "Al-Set Mona Lisa." Learn more about the project, the cast led by Mai Omar, and the plot of the 15-episode series.
Egyptian writer and screenwriter Mohamed Sayed Bashir officially announced the end of filming for the series “Al-Sit Mona Lisa”, bringing to a close one of the anticipated dramas that brings together a selection of Egyptian drama stars, after an intensive period of work that lasted for several months in different filming locations.
The moment of "breaking up" and celebrating the end
Author Mohamed Sayed Bashir shared a behind-the-scenes photo from the final day of filming on his official social media accounts, expressing his joy at completing the project. Bashir captioned the photo, "Thanks to God's grace and generosity, the series 'Mona Lisa' has wrapped," a common expression in the artistic community to announce the completion of all scenes and the entry of the final editing and mixing stages in preparation for broadcast.
List of the series' cast and crew
The series "Al-Set Mona Lisa" boasts a distinguished cast of stars, blending experience and youth. Leading the cast is Mai Omar, alongside Ahmed Magdy, Injy El Mokaddem, the veteran actress Sawsan Badr, Wafaa Amer, and the comedian Shaimaa Seif, among others. The series is written by Mohamed Sayed Bashir and directed by the acclaimed director Mohamed Ali, who has a long and successful track record of television dramas.
The phenomenon of 15-episode series
The series "Al-Sit Mona Lisa" belongs to the genre of 15-episode dramas, a format that has come to dominate the Egyptian and Arab drama market in recent years, both during Ramadan and outside of it (off-season). This trend comes in response to changing viewing habits among audiences, who now prefer fast-paced, action-packed series free of drawn-out scenes and unnecessary embellishments. This is precisely what these types of shows offer, often streamed on modern digital platforms and achieving high viewership ratings.
A suspenseful social framework
The series unfolds within a suspenseful social framework, a widely popular dramatic genre that blends human issues and complex social relationships with elements of mystery and intrigue. It is expected to generate significant buzz upon its release, given the immense popularity of its stars, particularly Mai Omar, who has achieved consecutive successes in recent drama seasons, leaving audiences eagerly anticipating her new dramatic role as "Mona Lisa.".
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