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Ibn Shihab al-Zuhri on the outskirts of Tabuk

The village of Shaghb, located in the Tabuk region of the Kingdom of Saudi Arabia, is a tranquil agricultural oasis that holds within its folds a history

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The village of Shaghb, located in the Tabuk region of the Kingdom of Saudi Arabia, that tranquil agricultural oasis, embraces within its folds an ancient history, stories, and poems sung by poets and mentioned by historians. This is not surprising, as that agricultural oasis was the traveler’s solace, and his resting and comfort station, on his way to the city of the Messenger, peace be upon him. Shaghb in the early days of Islam, and the Umayyad era, was one of the most important stations on the Hajj route that connects the Hijaz and the Levant. The historian Abu Ubaid al-Bakri al-Andalusi (d. 487 AH) referred to it in his book “Mu’jam Ma Istajam min Asma’ al-Bilad wa al-Mawadi’,” where he says: “The first boundary of the Hijaz: the valley of Nakhl, the upper part of Ruma, and the back of the lava field of Layla.” The eight that are next to the Levant: Shaghab and Bada’,” and Bada’ is adjacent to Shaghab, and it is within the Al Wajh Governorate in Tabuk. Al Ya’qubi (d. 292 AH) also mentioned them in “The Book of Countries”: “Whoever wants to travel on the road to the city of the Messenger, may God bless him and grant him peace, takes from Madin to a place called Aghra’, then to Qalis, then to Shaghab, then to Bada’, then to Al Suqya, then to Dhu Al Marwa, then to Dhu Khashab, then to Medina. These are the places from Egypt to Mecca and Medina.”.

Shaghab is also an important station on the Egyptian Hajj route, as it is narrated on the authority of Judge Waki’ that he said: “The route to Egypt is from Fustat to Al-Jub, and from Al-Jub to Al-Hafar… to Sharaf Al-Ba’al, and from there to Madyan, and from there to Fals, and from there to Al-Aghar, and from there to Al-Kalabiyah, and from there to Bada’, and from there to Shaghab, and from there to Al-Sarhatain, and from there to Al-Saqya, and at it the route to Syria and Egypt meets.”.

The poet Kathir Azza, one of the most famous love poets of the Umayyad era, sang her praises:

And you are the one who made me love Shaghb, and my homeland is a land other than them…

I settled this matter repeatedly… and thus both valleys became pleasant

However, the most important thing that the village of Shaghab contains in the memory of its land and soil is that it contains the grave of the great follower Ibn Shihab al-Zuhri, who was a hadith scholar and historian who had a great role and a huge impact on writing Islamic heritage and recording the Prophetic Sunnah.

The Encyclopedia of the Kingdom of Saudi Arabia, published by the King Abdulaziz Library, refers to the history of the village of Shaghab and its great connection to Imam Al-Zuhri, where it states: “Shaghab is located 45 km east of the city of Duba. It is an ancient agricultural oasis in which, in the early days of Islam, there were properties belonging to the Banu Marwan bin Al-Hakam Al-Umawi, which they granted to the Hadith scholar of Medina, Muhammad bin Shihab Al-Zuhri. Al-Zuhri lived there during his last days, planted palm trees there, and died there in the year 124 AH / 742 AD, and was buried there. The freed slave of Al-Zuhri (Zakaria bin Issa Al-Shaghabi) is attributed to it. There are traces of the remains of canals, pools, springs, and old farm enclosures.”.

The figure of Imam Ibn Shihab al-Zuhri is at the forefront of the founding imams in the science of Islamic history, the Prophet’s biography, and the recording of the Sunnah and traditions. Although his fame is greater as a hadith scholar, he also had an important impact on the science of history, genealogy, and poetry.

Ibn Kathir wrote about him in “Al-Bidaya wa’l-Nihaya”: “Muhammad ibn Muslim ibn Ubayd Allah ibn Abdullah ibn Shihab ibn Abdullah ibn al-Harith ibn Zuhra ibn Kilab ibn Murra, Abu Bakr al-Qurashi al-Zuhri, one of the prominent imams of Islam, a distinguished Tabi’i (successor of the Companions), who heard from more than one of the Tabi’in. Al-Layth said: ‘Al-Zuhri was the most generous person I have ever seen. He would give to everyone who came and asked him, until he had nothing left, then he would borrow. He would feed people tharid (a type of bread soup) and give them honey to drink. He would drink honey continuously, just as drinkers continue to drink theirs, saying: “Give us to drink and tell us stories.” If one of them became drowsy, he would say to him: “You are not one of the night-time storytellers of Quraysh.” Umar ibn Abd al-Aziz said: “You should seek out Ibn Shihab, for there is no one left who is more knowledgeable about past Sunnahs than him.” Al-Zubayr ibn Bakkar said: “Al-Zuhri died at his estate in Shaghab on Monday, the night of Tuesday, the 17th of Ramadan in the year 124 AH, at the age of 72. He ordered that he be buried by the roadside so that passersby would pray for him.”.

Al-Zuhri was one of the most important figures and dignitaries of the Umayyad state. He had a strong relationship with the Umayyad caliphs, from Abd al-Malik ibn Marwan to Hisham ibn Abd al-Malik. He was close to them, an advisor, and his writings and books occupied an important place in the treasuries of the Umayyad caliphs. Ibn Kathir describes the strength of this relationship: “Ibn Shihab came to Abd al-Malik ibn Marwan in Damascus, so he honored him, paid off his debt, and allocated him a stipend in the treasury. Then he was one of his companions and confidants, and then he was the same with his sons after him, al-Walid and Sulayman, and likewise with Umar ibn Abd al-Aziz, and with Yazid ibn Abd al-Malik. Yazid appointed him as a judge along with Sulayman ibn Habib. Then he was favored by Hisham ibn Abd al-Malik, and he performed Hajj with him and made him the teacher of his children until he died in this year, a year before Hisham.”.

The historical uniqueness of Ibn Shihab al-Zuhri, and his scientific value, lies in the fact that he was the first to transmit hadith, and he was also the first to compile the Prophetic Sunnah by order of the Umayyad Caliph Umar ibn Abd al-Aziz when the Caliph issued his order to all regions in the Islamic state to collect and compile the Prophetic Sunnah, as Abdullah ibn Dinar mentions: “Umar ibn Abd al-Aziz wrote to the regions, look at the hadith of the Messenger of God, may God bless him and grant him peace, and collect it and preserve it, for I fear the loss of knowledge and the passing away of scholars.” So Imam al-Zuhri was one of the men who undertook this task, as al-Hafiz Ibn Hajar mentions: “The first to compile hadith was Ibn Shihab al-Zuhri at the beginning of the century by order of Umar ibn Abd al-Aziz.”.

Abu Dawud mentions that al-Zuhri's entire body of hadiths numbers two thousand two hundred, half of which are with chains of transmission. Al-Layth ibn Sa'd describes him, saying, "I have never seen a scholar more comprehensive in knowledge than Ibn Shihab. If I heard him narrating on exhortation, I would say he knows nothing else; if he narrated on the Prophets and the People of the Book, I would say the same; and if he narrated on the Bedouin and genealogies, I would say he knows nothing else." Abdullah ibn Dhakwan, known as Abu al-Zinad, clarifies al-Zuhri's role in establishing the concept of comprehensive documentation of Islamic heritage in all its branches and sciences, and in encouraging scholars to do the same. He says, "We used to write down what was permissible and forbidden, and Ibn Shihab would write down everything he heard. When his expertise was needed, I realized he was the most knowledgeable of people, after we had been going around with him, carrying tablets and scrolls, laughing at him, while he wrote down hadiths and memorized them.".

The great investigator and historian Fuad Sezgin shows the great impact that Ibn Shihab al-Zuhri had on the recording of hadith, and the role he played until he became a pillar of preserving and recording the heritage. He says: “It becomes clear when examining the chains of transmission of hadiths that al-Zuhri’s name occupies the second place after the name of the Messenger for most of them, and this makes us decide his great role in the history of hadith. The chain of transmission was not unknown to those whom al-Zuhri studied with, but he was interested in the chains of transmission for a large number of hadiths whose chain of transmission was not necessary before that, and these hadiths were written down or narrated orally that was widespread in the Islamic world at that time. As one of the followers, he had to search for the early followers and companions who met the Messenger, peace be upon him, and heard hadiths from him, or were the owners of these hadiths that were in the era of al-Zuhri that were circulated orally or in writing, and that was possible at that relatively early time for a man like al-Zuhri, and he was able to write the names of these people in his texts, and make them narrated after that.”.

The Saudi News Network first launched on Twitter via its official account, @SaudiNews50, and quickly became one of the Kingdom's leading independent news sources, thanks to its fast and reliable coverage of major local and international events. Due to the growing trust of its followers, the network expanded by launching its website, a comprehensive news platform offering regularly updated content in the fields of politics, economics, health, education, and national events, presented in a professional style that meets the public's expectations. The network strives to enhance public awareness and provide accurate information in a timely manner through on-the-ground reporting, in-depth analysis, and a specialized editorial team, making it a trusted source for anyone seeking up-to-the-minute Saudi news.

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Culture and Art

Abdulaziz Khoja at Jeddah Arts: A night where poetry and music embraced

The Jeddah Culture and Arts Association is organizing an evening of classical Arabic songs with Dr. Abdulaziz Khoja, showcasing the aesthetics of sung poetry and supporting the Madid program for Saudi cultural activism.

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Abdulaziz Khoja at Jeddah Arts: A night where poetry and music embraced

On a cultural evening where the magic of eloquence blended with the sweetness of melodies, the Jeddah Culture and Arts Association organized a unique event entitled "Classical Arabic - The Song of the Soul," hosting the distinguished literary and diplomatic figure, Dr. Abdulaziz Khoja. The evening, skillfully moderated by Dr. Zaid Al-Fadhil, was part of a vibrant cultural movement in the Kingdom, supported by the "Madid" program of the Literature, Publishing and Translation Commission, aimed at strengthening the presence of Classical Arabic in the artistic landscape and solidifying the status of poetry in the public's aesthetic consciousness.

Abdulaziz Khoja: The poet, diplomat, and human being

This evening was more than just a fleeting event; it was a tribute to the long and distinguished career of Dr. Abdulaziz Khoja. Khoja is one of the most prominent figures in the Saudi and Arab cultural scene, combining political acumen as a former Minister of Culture and Information and ambassador to several major capitals with the sensitivity of a poet who crafts words to resonate deeply. His participation is particularly significant given his pioneering role in bridging the gap between classical Arabic poetry and modern musical taste, making his texts a rich source of inspiration for leading composers and singers.

The sung poem: an artistic memory that transcends borders

During the enriching dialogue, the audience delved into the experience of the sung poem, as Dr. Khoja and Dr. Al-Fadhil explored the journey of poetic texts that transformed into iconic songs. Dr. Khoja pointed out that when a poem is sung, it acquires new life and reaches a wider segment of the Arab audience. This was evident in the list of renowned artists who have performed his words, such as Wadih El Safi, Sabah Fakhri, Mohammed Abdu, Abadi Al-Johar, Karima Al-Saqli, and Hiba Qawas. This geographical diversity of artists confirms that Saudi poetry possesses the qualities of universality and the ability to influence the Arab consciousness from the Atlantic to the Gulf.

Vision 2030 and supporting cultural activism

This event is a direct reflection of the significant cultural transformation underway in the Kingdom under Vision 2030, which has given unprecedented attention to culture and the arts as pillars of quality of life and soft power. In this context, Mohammed Al-Subaih, Director of the Jeddah Culture and Arts Association, emphasized that refined music and singing represent a civilized face of society, praising the institutional support provided by the "Madeed" program, which empowers non-profit cultural organizations to offer high-value content that strengthens national identity and belonging.

Lively interaction and elite input

The evening wasn't limited to theoretical discussions; it also featured a practical application of the aesthetic interplay between poetry and music. The audience experienced a captivating performance by artist Mohammed Hashem, accompanied by musician Dr. Madani Abadi on the qanun, in a beautiful display that embodied the elegance of the lyrics and the sweetness of the melody. The closing event was enriched by insightful contributions from prominent figures, including Ambassador Osama Naqli, Dr. Abdullah Dahlan, journalist Saad Zuhair, and poet Badia Kashgari, lending the evening the air of a distinguished literary salon and reviving Jeddah's historical cultural prestige.

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Launch of the Culture and Arts Guide in the Urban Landscape under the patronage of the Minister of Culture

Under the patronage of Prince Badr bin Farhan, the Ministry of Culture launched the Culture and Arts Guide in the Urban Landscape to enhance quality of life and integrate art into public spaces within Vision 2030.

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Launch of the Culture and Arts Guide in the Urban Landscape under the patronage of the Minister of Culture

Under the patronage of His Highness Prince Badr bin Abdullah bin Farhan, Minister of Culture, the Ministry of Culture launched the “Culture and Arts in the Urban Landscape” guide yesterday (Monday) at a ceremony held at the Diriyah Center for Future Arts. This strategic step lays the foundation for a comprehensive national reference to support stakeholders in planning and implementing cultural interventions in public spaces, with the aim of improving the urban landscape and enhancing the quality of life in Saudi cities, in line with the objectives of the Kingdom’s Vision 2030.

A qualitative leap in Saudi urban planning

The launch of this guide comes at a time when the Kingdom is witnessing a radical transformation in urban planning concepts, as cities move from being mere functional concrete blocks to vibrant, human-centered spaces. This guide is a practical application of the Quality of Life Program initiatives, one of the Vision 2030 programs, which seeks to empower the cultural sector to play a pivotal role in shaping the identity of cities and making them more attractive to both residents and visitors.

The ceremony was attended by the Deputy Minister of Culture, Professor Hamed bin Mohammed Fayez, and the Deputy Minister of Municipalities and Housing, Engineer Ehab Ghazi Al-Hashani, reflecting the extent of governmental integration to achieve these goals.

An integrated partnership between culture and urban development

In his address on behalf of His Highness the Minister of Culture, Professor Hamed Fayez affirmed that the guide is the fruit of a strategic partnership with the Ministry of Municipalities and Housing. He pointed out that Saudi cities hold a rich history and profound meanings that can be revived through public spaces, saying, “These spaces can be transformed into living experiences that build a relationship between people and their surroundings, and work to transform the place into a destination, a story, and a creative space.”.

For his part, Engineer Ehab Al-Hashani explained that the ministry is working on redefining urban planning to put “people first,” stressing that the guide moves municipal work from individual efforts to a sustainable methodology, to give cities a visual language that expresses their identity and cultural diversity.

The importance of the guide and its expected impact

The role of the "Culture and Arts in the Urban Landscape" guide extends beyond aesthetics to encompass significant social and economic dimensions. Socially, art in public spaces fosters a sense of belonging and creates opportunities for community interaction, thus reducing social isolation in major cities. Economically, transforming squares and public spaces into artistic landmarks contributes to attracting both domestic and international tourism and revitalizes commercial activity in surrounding areas—a phenomenon known globally as "placemaking.".

Practical methodology and entrepreneurial projects

The guide offers a practical roadmap for municipalities, local authorities, and real estate developers, starting with understanding the nature of the community and the location, and extending to implementation and impact measurement. To ensure the guide's effectiveness, pilot projects were launched in collaboration with major entities such as the Royal Commission for Riyadh City, the King Fahd National Library, and the Madinah Municipality, serving as living examples of how to integrate art into the urban fabric.

It is worth noting that the guide is now available through a dedicated digital platform on the Ministry of Culture’s website in both Arabic and English, including tools, models and global best practices, to help planners and innovators transform the Kingdom’s cities into open museums that reflect their cultural depth and their aspirations for the future.

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Culture and Art

Mustafa Gharib in his first leading role in the series "Heya Kimya" during Ramadan

Mustafa Gharib is preparing for his first leading role this Ramadan in the series "Heya Kimya" (She's Kimya). Learn about the character Sultan, behind-the-scenes details of working with writer Mohab Tarek, and the series' captivating storyline.

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Mustafa Gharib in his first leading role in the series "Heya Kimya" during Ramadan

Young Egyptian actor Mustafa Gharib a new and different artistic challenge in his career, as he prepares to star in his first leading role in the upcoming Ramadan drama series "Heya Kimya" (She's Kimya) . This step comes as a culmination of Gharib's successive successes in recent years, where he has captured attention with his natural talent and commanding presence, especially in the comedic roles he has played, most notably the character "Al-Atra" in the "Al-Kabir Awi" series, making him one of the most prominent rising young stars in the Egyptian art scene.

Behind the scenes of approval and confidence in the text

In discussing his decision to join the project, Mustafa Gharib revealed in a press statement that his enthusiasm stemmed from the high quality of the writing and the thorough preparation. He explained that the writer, Mohab Tarek him at the time, informing him that half of the series' episodes had already been written before filming began. Gharib emphasized that having a well-written and clearly defined script gave him a significant sense of confidence and security, reducing the tension and risk that typically accompany an actor's first leading role, thus encouraging him to make the decision and move forward with the project.

Preparing for the character of "Sultan" and the performance methodology

Regarding his readiness to dominate the drama scene, the young actor emphasized that he follows a methodology based on focusing entirely on the quality of his work, rather than being preoccupied with competition or ranking among stars. He indicated that he is currently meticulously and deeply studying the character of "Sultan," whom he portrays in the series. This study includes a careful reading of the scripts to grasp the psychological and social dimensions of the character, as well as determining the physical appearance that best serves the role. He also noted his commitment to creating opportunities for thoughtful improvisation that adds dynamism to the scenes, in close coordination and continuous consultation with the director and writer to ensure the best possible performance.

Series synopsis: Thriller and mystery in the world of crime

The series "Heya Kimya" unfolds within a framework of suspense and intrigue, departing somewhat from the pure comedy in which audiences are accustomed to seeing Ghareeb. Mustafa Ghareeb portrays Sultan, a simple young man whose circumstances lead him to find himself embroiled in a mysterious and perilous world. Events force him to become entangled in a complex web of dubious relationships, where his primary goal becomes survival and uncovering the mystery behind what happened to his brother. As the plot thickens, Sultan gradually draws closer to realms of violence and corruption, presenting viewers with a dramatic experience full of twists and turns.

Betting on youth in the Ramadan marathon

The series "Heya Kimya" reinforces the recent trend in the Egyptian drama industry of giving opportunities to young stars to take center stage and shoulder leading roles, especially in productions aired during Ramadan, the most important and widely watched season in the Arab world. This work reflects the growing confidence of producers in the ability of the new generation to attract audiences and deliver compelling and engaging dramas capable of competing with the major productions of veteran stars.

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