Culture and Art
Dostoevsky's The Fate of Misery
To a skeptical reader, the biography of the Russian writer and novelist Fyodor Dostoevsky may seem as if it were woven from an eternally sorrowful imagination, and perhaps
To a skeptical reader, the biography of the Russian writer and novelist Fyodor Dostoevsky might seem woven from the fabric of eternal sorrow. Such a reader might justify this belief by pointing out that none of the biographies of novelists who have dominated the literary scene in recent decades rival or surpass the misery and suffering that characterized Dostoevsky's life. This might explain their skepticism, as the painful lives of his contemporaries, such as Ernest Hemingway and Virginia Woolf, did not witness turmoil comparable to that of Dostoevsky. However, the profound impact of this wretched life, with its horrific upheavals and terrifying twists, intensified his appreciation of life and enriched his awareness of its complexities and his understanding of the nature of good and evil. Similarly, the rare moments of joy, which flashed like lightning and illuminated his darkness with fleeting light, are clearly evident in his literary works. This provides a basis for a statement that refutes such doubts, for "pain and suffering are inevitable." “A great intelligence and a deep heart,” as Dostoevsky himself mentions in his famous novel “Crime and Punishment.” As is the case with every writer when he picks up his tools and stands naked in front of his papers to pour his suffering into them, the tragic events that filled Dostoevsky’s life appeared clearly through his novels. Characters like Kirillov, Smerdyakov, Nelly, and Prince Myshkin in the novels “The Idiot,” “The Insulted and Humiliated,” “Demons,” and “The Brothers Karamazov” would not have existed were it not for Fyodor’s experience of epileptic seizures that would surprise him and plunge him into a pool of spiritual darkness, which was one of the factors that made his life turbulent and anxious.
However, his attempt to restore the perceived value of what he wanted his life to be, which seems somewhat similar to what Freud called "sublimation," supports important suspicions that see in Dostoevsky's brilliance evidence that we owe more to the harshness and gloom of life in cultivating the seed of creativity than we do to its tenderness and gentleness, even if such a statement seems harsh, its evidence is abundant.
Conflicting feelings and opposing visions, such as those that overcome us and creep into us while reading one of Dostoevsky’s works, may lead us to a miraculous transcendence that opens up vast horizons and wide worlds before our curiosity and desire to discover more about the nature of man and gives us an abundant amount of wisdom that we need in our lives. Therefore, it is no wonder that reading him seems both enjoyable and difficult at the same time, for such a mixture has always been the most precious gift that he has bestowed upon us with remarkable skill.
Dostoevsky answers many of the questions that lurk around us in an exciting and enjoyable way, and based on the strangeness of a person being certain, he raises our doubts about our previous knowledge and our certainty towards ourselves and others, so he pushes us to contemplate and think in a precise and deep way to reach the roots of those ideas that crowd us and the feelings that crowd our souls, and to build a foundation for what we believe to be right in a stable and solid way. What seeps into us through his analyses helps us to overcome the accumulated layers of the human soul and penetrate to its essence. Undoubtedly, such a thing, despite its difficulty, is what creates our tricks by which we overcome our predicaments, just as he created his way of extinguishing the doubts that were troubling him and led him to others that were less doubtful. This is the paradox that made his works “the best reference that must be relied upon to understand the nature of things,” as the American writer and novelist Scott Spencer sees it.
Dostoevsky's magic lies not entirely in the rhythm or music of his sentences, nor in the discipline of his fine prose, nor in his eloquence, nor in the twists of his plot, nor in his captivating narrative, though he excels in all of these. Rather, it lies in his construction of complex and perplexing characters with their intricate layers and sharp contradictions, in the impact his analyses have on us, and in his descriptions of feelings in a way that allows us to easily grasp them. It lies in his ability to keep the reader bound to his sentences while an idea takes flight, leaving them to wander and search for wisdom, to solve a pressing riddle, or to justify a persistent bewilderment. It lies in his ability to convince the reader to collude with him, so that their soul submits to the authority of his ideas while pleasure flows through their veins. Through the multiplicity of voices in a single novel, he not only expresses the plurality of opinions but also portrays the multiplicity of each of us and our contradiction with our true nature, thus placing us face to face with ourselves. Therefore, the source of the wonder that overcomes us as we read him is his ability to delve into our depths, to reach the remote areas within us, and to help us discover what we can It tempts our choices or forces us into our decisions, and it highlights our tendency to commit sin and then justify it and falsify its motives, through its skill in interpreting grudges and justifying hatreds and suspicions floating in our souls and the motives and disturbances that afflict us. But it surprises us without clear certainty about what makes us anxious about it, as it soon brings us back to the feeling of guilt and remorse as an authentic moral motive and not something foreign to human nature, which often leads to a bitter internal conflict. But it does not stop at that, but guides us to the ideal position of that feeling that should precede the occurrence of sin to prevent its commission and repel the attempts of terrible thoughts to delude us that the value of any action is in what is emanating from it, and whatever amount of blame will be placed on it, it often seems small in the face of a satisfactory and attractive goal. He warns us that outcomes that appear noble do not deserve that we neglect our humanity or replace it with other invented ones that have colorful beliefs in order to reach them. While he gathers the scattered thoughts of us about one thing, he works on the scattered thoughts that have gathered about another thing. But the chaos that Dostoevsky stirs up soon calms down to reveal the ambiguity that surrounds us and fills the void that we are crowded with, so that our souls are reorganized, and a new perspective towards life is created that restores to our eyes their ability to see beauty.
Therefore, we can scarcely resist our attraction to his novels. His words possess the power to seep through the cracks of the soul, gazing at us with Dostoevsky's eyes, bestowing upon us a magical light. A tender wonder envelops us, compelling us to delve into his novels again. We find ourselves in a middle ground between the confusion of memory searching for the emotion that seized us in the first reading and the mind's attempt to discover the source of that mysterious element from which wonder emanates. Then, it is revealed with a new light, illuminating another aspect of our minds. This seemingly eternal darkness grants us momentary independence. If we continue reading, it casts gentle shadows upon our souls and brings forth fleeting clouds in our eyes. It does not leave us with a passing melancholy that dissipates as soon as we finish reading it, nor a mere wonder that vanishes when we leave it. Rather, it sows them in our souls like a tiny seedling that grows and takes root quickly. Thus, repeated reading of his novels is a training for the senses and an exercise for the mind, enabling us to attain a measure of... We may owe a great deal of awareness and understanding to his misery and wretchedness.
Culture and Art
Ramadan songs: From Siraj Omar to Bashar Al-Shatti and Hamoud Al-Khader
Explore the evolution of Ramadan songs, from the masterpieces of Siraj Omar and Tariq Abdul Hakim to the compositions of Bashar Al-Shatti and Hamoud Al-Khader. A look at the transformations of Ramadan music between tradition and innovation.
With the arrival of the holy month of Ramadan each year, the Gulf and Arab artistic scene is revived, as Ramadan songs are no longer merely a fleeting seasonal tradition, but have become emotional icons that reshape the listener's connection to the spirituality of this blessed month. In recent years, the artistic landscape has witnessed a remarkable transformation with the emergence of modern melodies that have rightfully earned their place alongside timeless classics, most notably the melody of "Star Academy" star Bashar Al-Shatti in his modern anthem, "Marhab Marhab Ya Hilal" (Welcome, Welcome, O Crescent).
Bashar Al-Shatti and Hamoud Al-Khader: The Making of Modern Memory
The song "Marhab Marhab Ya Hilal," with lyrics by Hiba Mishari and performed by Hamoud Al-Khader, has become a modern-day Ramadan anthem. Composed by Bashar Al-Shatti, this melody is more than just a fleeting promotional piece; it has established itself as a lasting icon, renewed annually. Leveraging technological advancements and social media platforms, it has spread regionally and internationally, becoming an integral part of Ramadan traditions for new generations. This reflects the power of modern music to touch the heart when it possesses genuine artistic merit.
Siraj Omar: A pioneer of Saudi Ramadan songs
This recent success opens a wide window for comparison with the golden age of Saudi music, when Ramadan songs had their great pioneers. The name of the late composer Siraj Omar stands out here, whose role cannot be reduced to that of a composer who presented seasonal works. Rather, it was a complete artistic project that transformed the holy month into a space for melodic contemplation. Siraj Omar's name became synonymous with Ramadan through a series of timeless works that shaped the Saudi consciousness, such as "The Month of Fasting," "O Nights of Ramadan," and "The Month of Piety." The late composer formed a unique artistic partnership with the poet and writer Ahmed Ba'atab, composing and singing these poems himself, culminating this journey with the masterpiece "Hani'an Hani'an.".
Tariq Abdul-Hakim and the historical dimension of anthems
In a related context, the role of the late dean of Saudi art, Tariq Abdul-Hakim, cannot be overlooked. He presented a distinct musical approach based on authentic Eastern maqams and collective choral performance. This was clearly evident in the anthem "Nur al-Huda bi-Ramadan" (The Light of Guidance in Ramadan), with lyrics by Saeed al-Hindi, where Abdul-Hakim combined composition and singing, offering a spiritual style that reflects the cultural identity of the Kingdom during that era. Other names such as Mahmoud Khan with the anthem "Anist wa Halait Ya Ramadan" (You Have Arrived and Been Welcome, O Ramadan), Abdul-Qader Halwani, and Samir al-Wadi also contributed to enriching the Ramadan audio library.
Transformations in production: from pure art to commercial promotion
Comparing the two generations reveals a fundamental shift in the motivations behind artistic production. While pioneers like Siraj Omar and Tariq Abdul-Hakim embarked on an artistic and cultural project aimed at documenting spiritual feelings, the current scene tends to hand the reins to commercial entities and satellite channels that use songs as a promotional tool for their brands. This is evident in highly successful but promotional works, such as Majid Al-Muhandis's song "Ramadan, You've Returned," which has become central to the Ramadan scene and is among the most popular. This raises questions about the future of Ramadan songs, specifically the balance between preserving authenticity and meeting the demands of the advertising market.
Culture and Art
Ramez Level the Monster promo: Prank details and list of victims this Ramadan
Turki Al-Sheikh released the official promo for Ramez Level the Monster. Learn about the show's concept, inspired by the squid game, the list of victims, and details of Caroline Azmy's injury.
In a move that has ignited excitement among Arab audiences as the Ramadan season approaches, Turki Al-Sheikh, Chairman of the General Entertainment Authority in Saudi Arabia, released the official trailer for the highly anticipated prank show "Ramez Level the Monster," hosted by Egyptian star Ramez Galal. This announcement reaffirms the ongoing fruitful collaboration between the Authority and entertainment industry professionals to deliver world-class content.
Program concept: The atmosphere of "The Squid Game" prevails
The teaser trailer revealed the main concept of this year's program, which appears to depart from traditional formats and delve into the world of complex psychological thrillers. The program draws inspiration from the internationally acclaimed Korean drama "Squid Game," with events unfolding in a secluded and mysterious setting.
In the promo, Ramez Galal appears disguised in an outfit similar to that of the players or goalkeepers in the series, using frightening sound and visual effects to heighten the tension for the guests. The plot revolves around subjecting the victims to a series of difficult challenges and unexpected surprises, which gradually escalate before Ramez reveals himself at the crucial moment, generating hysterical reactions that combine shock and terror.
A history of controversy and popular success
The "Ramez Level Monster" program comes as a continuation of star Ramez Galal's long career in the world of prank shows, which have become an annual tradition and an integral part of Ramadan television in the Arab world. For over a decade, these programs have achieved record-breaking viewership, topping search engine results and social media platforms as soon as their episodes air.
The support provided by the General Entertainment Authority reflects the extent of interest in providing a high-quality entertainment product, as Ramez's programs have evolved from simple street pranks to huge productions that rely on cinematic techniques and complex filming locations, which enhances Riyadh's position as a supportive destination for the Arab entertainment industry.
List of victims: Art and sports stars caught in the trap
The official promo revealed that a large number of A-list celebrities have fallen victim to Ramez's pranks this year, promising some explosive episodes. The list includes prominent names from the worlds of art and sports, most notably action star Ahmed El Sakka, known for his powerful reactions, as well as football stars like Egyptian national team player Zizo.
The list also included appearances by widely popular artists such as Ghada Abdel Razek, Ghada Adel, Asmaa Galal, and singer Diab, in addition to comedy and festival stars like Shaimaa Seif, Mustafa Gharib, and Hamo Beka. Veteran actress Samah Anwar, young actress Rahma Mohsen, and Caroline Azmy were also present, ensuring a wide range of reactions, from screaming and crying to violent resistance.
Dangerous behind-the-scenes details: Caroline Azmy injured
The filming of the program was not without its real dangers, highlighting the difficulty of the challenges this season. Reports revealed that the young artist, Caroline Azmy, sustained various injuries while filming her episode, resulting from a scuffle or fall during the prank. She was immediately taken to a hospital for necessary medical examinations and to ensure her well-being. This adds an air of seriousness and risk to this year's edition and increases the audience's curiosity to see what the stars faced behind the scenes.
Culture and Art
Mohamed Mounir sings the theme song for Rogina's Ramadan series "Had Aqsa"
King Mohamed Mounir returns to Ramadan drama with the theme song for the series "Had Aqsa" starring Rogina. Learn more about the song "Ta'ab," the series' plot, and its cast in the highly anticipated Ramadan season.
In a major artistic surprise that is set to ignite early competition in the upcoming Ramadan season, "The King" Mohamed Mounir has decided to return to the world of television drama theme songs, performing the opening theme for the series "Hadd Aqsa" (Maximum Limit), starring the renowned actress Rogina. This move adds significant artistic weight to the production, given Mounir's immense popularity and the enduring connection his voice has forged with timeless dramas in the hearts of Egyptian and Arab audiences.
Details of the song "Taab" and the return of the King
The new song, titled "Ta'ab" (Tiredness), has already been recorded by Mohamed Mounir and is ready for release at the start of Ramadan. The lyrics are by Ahmed Shabaka, and the music is composed and arranged by Ahmed Hamdi Raouf. It is produced by Rotana Music Group. This collaboration marks Mounir's strong return to the world of theme songs, a field in which he has always excelled, delivering memorable tracks that continue to resonate with audiences. This raises expectations for the success of both the song and the television series.
The artistic context and the importance of the event
Mohamed Mounir singing the theme song for any drama series is an artistic event in itself, not just a conventional addition. Historically, Mounir's voice has been associated with dramas that have become part of Egyptian cultural identity, and his participation in "Had Maqsa" (Maximum Limit) indicates the quality of the work and the attention to detail of its creators. This participation also reinforces Rogina's strong presence in recent Ramadan seasons, where she consistently tackles sensitive and controversial social issues.
The cast and crew of the TV series "Limit"
The series boasts a stellar cast alongside Rogina, including Mohamed El-Qass, who has recently achieved notable success, Khaled Kamal, Basant Abu Basha, Fadwa Abed, veteran actress Nashwa Mustafa, Bassam Ragab, Amir Abdel Wahed, Mariam Ashraf Zaki, and Mustafa Emad. The script is by Hisham Helal, and the series is directed by the promising young director Maya Ashraf Zaki in her highly anticipated directorial debut.
Series synopsis: Conflicts over money and influence
The series "Limit" unfolds as a social thriller, shedding light on the inner workings of the world of money laundering and financial corruption. The story centers on Rogina, who finds herself in a major predicament after mistakenly receiving a large sum of money while simultaneously taking out a massive bank loan. The plot thickens, revealing the social and psychological pressures faced by the protagonist and her husband, amidst conflicts stemming from betrayal of trust and disastrous, life-altering decisions, promising viewers a compelling dramatic experience.
-
Culture and Art 6 days ago
The "Between and Between" exhibition in Jeddah: 5 artists reshape Saudi memory
-
Local News 4 days ago
Saudi Arabia's National Arabic Language Policy: 8 Principles to Promote Identity
-
Culture and Art, 1 week ago
Shakira's concert in Jeddah: Details of the international star's first concert in Saudi Arabia
-
Local News 3 days ago
Adopting the National Policy for the Arabic Language: Strengthening Identity and Vision 2030
-
Culture and Art, 1 week ago
The truth about Nancy Ajram's video and Epstein Island, and her legal response
-
Local News 4 days ago
The Riyadh-Rin-Bisha dual carriageway, spanning 559 km, has been completed
-
Local news one week ago
Launch of the new Dammam project with investments of 98 billion riyals
-
Politics, one week ago
Kuwait adds 8 Lebanese hospitals to its terrorism lists


