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Children's Haiku: A pioneering Saudi initiative to develop the imagination of young people

Learn about the Children’s Haiku Project launched by Dr. Ahmed Al-Qaisi to promote Arabic children’s literature through short texts that develop contemplation and aesthetic taste in young children.

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Children's Haiku: A pioneering Saudi initiative to develop the imagination of young people

The children's literature scene in the Arab world is witnessing a qualitative shift aimed at transcending traditional narrative and instructional patterns, and seeking new creative forms that resonate with the consciousness of the contemporary child and stimulate their imagination. In this context, the art of haiku, specifically designed for young readers, stands out as a modern literary form in our region, which a select group of specialists are striving to employ as an educational and aesthetic tool. This art form, which relies on concision and capturing the moment, is an ideal entry point for developing a child's taste and enhancing their ability to reflect and discover the beauty inherent in the simple details of daily life.

Historically, haiku is known as an ancient Japanese poetic form that focuses on nature and direct sensory scenes. It has spread globally due to its remarkable ability to paint vivid pictures with words. Hence the importance of adapting this art form to Arabic children's literature. The first initiative of its kind in the Middle East was sparked by the individual efforts of Dr. Ahmed Al-Qaisi. The idea began with a series of tweets on the X platform, in which Al-Qaisi called upon cultural institutions and those interested in children's literature in Saudi Arabia to adopt this expressive form, which is lacking in Arabic literature. He also announced a specialized workshop that lasted several months to produce haiku texts specifically for children.

During four evenings as part of the "Literary Partner" events, Al-Qaisi reviewed the project's dimensions, highlighting the gap in Arabic children's literature regarding concise texts. He pointed out that most currently available texts tend toward length and extensive narration, while children—especially in the digital age—need short, concise texts that frame the simple scenes around them, whether from nature or everyday situations, thus stimulating reflection and questioning. He explained that the theme of "questioning" is a fundamental pillar of haiku, where the texts often evoke wonder and curiosity, contributing to the aesthetic and intellectual development of the child.

To ensure the quality and suitability of the output for the target audience, Al-Qaisi emphasized that the project's success depends on collaboration between haiku poets and experts in education and children's literature. To this end, he established a virtual workshop that included a select group of Saudi haiku writers: Mohammed Al-Fadhel, Abdullah Al-Anzi, Attaf Salem, Yousef Al-Anzi, Madawi Al-Qwaidhi, Sundus Al-Sharif, Nada Al-Omrani, Al-Anoud Yahya, and Afaf Ahmed. He also enlisted Dr. Wafaa Al-Sabil, an expert and researcher in children's literature, to oversee the educational and psychological aspects of the texts, ensuring that the language and vocabulary are appropriate for a child's vocabulary and understanding.

The initiative was widely welcomed by critics and academics. Dr. Zakia Al-Otaibi observed that haiku, with its elements of wonder and capturing the moment, perfectly aligns with a child's perception of the world, anticipating that this project will have a far-reaching impact on shaping the literary tastes of future generations. For her part, Dr. Wafaa Al-Sabil explained that the brevity of haiku texts and their focus on sensory imagery (such as the sound of rain or the colors of flowers) make them ideal for children's short attention spans, serving as linguistic works of art.

In a critical reading of the project's aesthetics, Dr. Hassan Al-Naami, head of the Literature Association, pointed out that haiku texts represent a "qualitative shift in the philosophy of reception" for children, liberating them from the constraints of excessive realism and opening the doors of imagination. Meanwhile, critic Dr. Saud Al-Saadi considered haiku a parallel path to painting, where children shape their world with language rather than colors, thus refining their sensibilities and reconnecting them with nature through contemplation.

In its final stages, the initiative aspires to publish a series of specialized books, starting with a book containing the workshop texts, designed according to the highest international standards for children’s books, to be the nucleus of an Arabic library rich in this art, and to open a new path for emerging readers that is characterized by universality and cultural particularity at the same time.

The Saudi News Network first launched on Twitter via its official account, @SaudiNews50, and quickly became one of the Kingdom's leading independent news sources, thanks to its fast and reliable coverage of major local and international events. Due to the growing trust of its followers, the network expanded by launching its website, a comprehensive news platform offering regularly updated content in the fields of politics, economics, health, education, and national events, presented in a professional style that meets the public's expectations. The network strives to enhance public awareness and provide accurate information in a timely manner through on-the-ground reporting, in-depth analysis, and a specialized editorial team, making it a trusted source for anyone seeking up-to-the-minute Saudi news.

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Culture and Art

Fadel Shaker denies fighting in the Abra events, and the prisoner exonerates him from funding

Coverage of the trial session of Fadel Shaker and Ahmad al-Assir in the Abra events case. The artist denies carrying weapons, while al-Assir asserts: "He sought refuge with us for protection and did not fund us." Here are the full details.

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Fadel Shaker denies fighting in the Abra events, and the prisoner exonerates him from funding

In a new development in a legal case that has preoccupied Lebanese and Arab public opinion for years, the Military Court in Lebanon heard, today (Thursday), in two separate sessions, both the artist Fadel Shaker and Sheikh Ahmed Al-Assir, within the context of the ongoing trials related to the bloody “Abra events” that took place in the city of Sidon in southern Lebanon in 2013.

A firm denial of the use of weapons

During the session, Lebanese artist Fadel Shaker reiterated his categorical denial of participating in any direct military action against Lebanese army units during those events. In his testimony before the court, Shaker stated that he possessed no technical or practical knowledge of how to handle or use weapons, emphasizing unequivocally that he had "never fired a single shot" in his life, in an attempt to refute the charges against him of involvement in armed combat.

The prisoner exonerates Shaker: He sought refuge with us for protection

For his part, Ahmed al-Assir bolstered Shaker's defense, explaining to the court the details of his relationship with the artist during that period. Al-Assir emphasized that Fadel Shaker never funded his armed group, stressing that he would never have accepted any financial support from him given the nature of their relationship.

The prisoner revealed the motives behind Shaker’s presence near him, indicating that the artist’s refuge with him was motivated by pure “personal protection,” after he received a series of serious death threats. He pointed out that the singer’s house had already been subjected to systematic arson and theft during that tense period, which prompted him to seek a safe haven.

Historical background: What happened in Abra in 2013?

To understand the context of this trial, it is necessary to go back to June 2013, when the Abra area of ​​Sidon witnessed violent and bloody clashes between the Lebanese army and groups affiliated with Ahmad al-Assir. These events were not mere skirmishes, but rather constituted a dangerous turning point in the Lebanese security landscape. The battles resulted in the martyrdom of 18 officers and soldiers of the Lebanese army, in addition to the deaths of dozens of militants, and ended with the army seizing control of al-Assir's security compound and the escape of al-Assir and Shaker.

From the pinnacle of singing to the dock

This trial is of exceptional importance, transcending local security concerns, given Fadel Shaker's former artistic stature. The "King of Romance's" transformation and his retirement from music to join the Assir group came as a major shock to the Arab artistic and public spheres. Since his disappearance and refuge in the Ain al-Hilweh Palestinian refugee camp, his case has become a matter of public debate, with some sympathizing with his artistic legacy and others demanding his legal accountability.

At the end of the session, the court decided to postpone the continuation of the case until March 24, pending the completion of legal procedures and hearing the remaining testimonies in this thorny case.

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Sherine Abdel Wahab's car sparks controversy: Shocking scene reveals details of her absence

A video of Sherine Abdel Wahab's car covered in dust has sparked concern among her fans. Learn more about her recent troubles and her legal battle to regain control of her accounts and make her artistic comeback.

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Sherine Abdel Wahab's car sparks controversy: Shocking scene reveals details of her absence

Egyptian artist Sherine Abdel Wahab has been trending on social media platforms in recent hours, after a controversial video circulated showing her luxury car parked in front of her house covered with thick layers of dust, creating a sad scene that worried her fans and raised questions about the nature of her daily life in light of the successive crises she has recently experienced.

A scene that evokes nostalgia and memories

A fan, who documented the viral video, explained that the luxury car appeared completely neglected, prompting him to express his deep sadness. The person who posted the video connected this scene to his personal memories of Sherine's voice and songs from his university days, suggesting that the car's condition might reflect the intense busyness or isolation the artist has experienced recently, away from the spotlight and public life.

The car of Egyptian singer Sherine Abdel Wahab is parked in front of her house and covered with dirt.

The context of the crises and their impact on the trajectory of “Voice of Egypt”

This situation cannot be viewed in isolation from the broader context of Sherine Abdel Wahab's life in recent years. The artist, popularly known as "The Voice of Egypt" and considered one of the pillars of modern Arabic music, faced a series of personal, health, and legal challenges that directly impacted the continuity of her artistic output and media presence. This intermittent absence affected not only her local audience but also left a noticeable void in the Arab music scene, where millions await any sign of her strong comeback and the resumption of her usual artistic activities.

Between anxiety and public questions

The video sparked a division in reactions; while a large segment of the public expressed their deep sympathy and concern that this neglect might be an indication of an unstable psychological state, others questioned the logical reasons for leaving a car of this size vulnerable to damage, amid calls for the artist to overcome this phase and return to shining.

The car of Egyptian singer Sherine Abdel Wahab is parked in front of her house and covered with dirt.

A glimmer of hope amidst the dust

In stark contrast to the somber car scene, Sherine had already begun taking concrete steps to reconnect with her fans, recently surprising them with a special appearance on Instagram. She posted a short promotional clip for her new song, "Asal Hayati" (Honey of My Life), a move interpreted by critics and fans as a genuine desire to break her silence and re-establish direct contact with her admirers, confirming that the artist is striving to separate her personal struggles from her professional career.

Legal battle over digital identity

In a related development, Sherine is still engaged in a fierce legal battle to reclaim her digital rights. She previously issued a press release detailing her dispute with the person managing her official pages, accusing him of seizing her YouTube channel and illegally profiting from it, which explains the recent disruption in the release of her artistic content.

Official warnings and rights protection

In order to protect her rights, the artist's lawyer reiterated his warnings to the public and media against interacting with any unofficial pages bearing Sherine's name on YouTube, TikTok, or X. The legal statement emphasized that Sherine Abdel Wahab holds exclusive ownership of these platforms, categorically denying any reports of their sale or transfer. This reflects the artist's determination to consolidate her position and regain control of her media and artistic outlets.

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Culture and Art

Caroline Azmy injured on Ramez Galal's Ramadan 2026 show

Details of the injury of artist Caroline Azmy and her transfer to the hospital during the filming of Ramez Galal’s prank for the Ramadan 2026 season, and her return to filming the series “Ras Al Afaa” with Amir Karara.

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Caroline Azmy injured on Ramez Galal's Ramadan 2026 show

Young Egyptian actress Caroline Azmy a sudden accident that resulted in bruises and various injuries to her body, while participating in the filming of an episode of the famous prank show presented by star Ramez Galal , which is scheduled to be shown during the Ramadan season of 2026. The news caused concern among the actress's fans and followers of Ramadan dramas as soon as it was circulated.

Details of the injury and transfer to the hospital

Sources close to the artist reported in media statements that Caroline Azmy was rushed to a hospital this morning to receive urgent medical attention. The artist underwent a series of thorough medical examinations to ensure there were no fractures or serious injuries, and she immediately began physical therapy sessions to stabilize her condition and alleviate the pain resulting from the accident.

Ramez Galal's programs: ongoing controversy and potential dangers

This incident has once again brought to light the nature of the prank shows presented annually by artist Ramez Galal, which enjoy record viewership across the Arab world. However, they also face ongoing criticism due to the dangerous nature of some of the segments and pranks played on the guests. Injuries to guests during filming have been a recurring problem in previous seasons, raising questions about the safety standards followed in such programs that rely on excitement and adventure.

Quick return to the filming location

Despite the injury, the source confirmed that the medical team treating Caroline Azmy was satisfied with her stable condition, allowing her to leave the hospital. Reflecting her professional commitment, Caroline returned to filming her scenes in the highly anticipated drama series "The Snake's Head," aiming to meet the busy schedule for its broadcast during Ramadan 2026.

Details of the series "The Snake's Head" and its creators

The series "The Snake's Head" is one of the most anticipated drama productions of 2026, boasting a stellar cast of A-list actors. Caroline Azmy stars alongside Amir Karara, Sherif Mounir, Tarek Lotfy, Ahmed Ghazi, and the veteran actress Magda Zaki, with a special guest appearance by Fathy Abdel Wahab. Written by Hani Sarhan and directed by Mohamed Bakir, the 30-episode series unfolds within a framework of suspense and intrigue.

Intense cinematic activity

Aside from television dramas, Caroline Azmy is currently very active in the arts, having recently joined the cast of a new film tentatively titled "Mahmoud El Tani." She will star alongside Ahmed Bahr, known as "Kozbara," and the young actor Ahmed Ghazi, confirming her strong presence in the film and television scene in the coming period.

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