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Muslim fantasy: between the magic of heritage and the rejection of the elite

At first, you might think you're reading one of the Greek myths like the Odyssey or the Iliad, but you soon realize you're right here at the heart of your heritage

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At first, you might imagine you're reading one of the Greek myths, like the Odyssey or the Iliad, but you soon realize you're at the heart of your Arab heritage, with Zarqa al-Yamama and the Blue Genie, and forests creeping with their men toward the enemy's walls. You wonder if the witches' prophecy to Macbeth—that he would only be defeated if "Birnam Wood moved" toward his castle—is merely an echo of Zarqa al-Yamama's cry: "I see trees moving!"

Osama Al-Muslim takes us back to our Arab roots, which have always been a wellspring of fantasy and imagination. In an era where literature is imported from the West, Al-Muslim insists on reclaiming our literary identity through stories based on our Arab myths and heroes, far removed from Western narratives that neither resemble us nor belong to our environment.

Thus, the reader finds themselves immersed in a world of fairies, fantastical creatures, and supernatural powers, believing in a ring that conceals a genie and three wishes, talking animals, severed heads, severed tongues, and girls who sacrifice their voices to regain their grace. They follow the hero when a kind genie carries them to a distant land in the blink of an eye. And they are captivated by the idea of ​​being loved by a beautiful fairy. It is a world that engulfs its reader, where past and present meet in a magical surrealism that ensnares the imagination and makes us surrender to its allure.

In "Arabian Orchards," we witness a conflict between two sorceresses. Each seeks to form a league of witches and train them to achieve her goals. As each witch embarks on her own adventure, the narrative unfolds the stories of the witches who join their leagues, in an interwoven style reminiscent of the Russian "matryoshka doll," where tales unfold one after another, creating a rich web of interconnected stories. This narrative technique, inspired by the European tales of One Thousand and One Nights, is presented here in a contemporary style that revives the spirit of the story within the story, lending depth and intrigue to the novel.

In the novel "Fear," we find that fear has transformed from a fleeting emotion into a profound existential experience and a driving force for self-discovery. Who among us hasn't, in moments of danger, considered seeking the help of a "blue genie"? Or perhaps ambition and curiosity have driven us to make a pact with the devil. But here, fear doesn't lead to destruction; rather, it becomes a tool for understanding and reshaping the self.

Young readers seek in literature an outlet for their desire to rebel against an authority that diminishes them. In societies that accord books excessive reverence, the book becomes a symbol of complexity and mystery, inspiring awe and hesitation in the reader, as if literature were the exclusive domain of the intellectual elite. The Muslim writer emerges to shatter this stereotype, attracting a wide audience and paving the way for literature more accessible to the average reader, thus challenging the dominance of established writers and their traditional cultural authority.

In contrast to the Arab world, Western literature has witnessed an openness that has stripped it of its aura of sanctity. New genres emerge daily in children's literature, science fiction, romance, and biography, granting writers creative freedom without fear of accusations of superficiality, and readers the freedom to choose what they enjoy without censorship. Simple works like "Diary of a Bad Boy" and the "Twilight" series have attracted millions of readers and underscored the importance of a literary environment that celebrates diversity and gives every voice its due, free from the constraints of prejudice or elitist classifications.

Osama Al-Muslim's novels are often accused of prioritizing entertainment and fantasy over profound messages, but when has entertainment ever been a crime? Books like "Kalila wa Dimna" and the legends of Antarah were not complex philosophical works, but rather enjoyable and inspiring. And fairy tales like "The Little Prince" offered a profound human vision that combined popular appeal with literary depth. Literature, at its core, is a bridge connecting the writer and the reader, not a test of patience or deciphering abilities.

To say that fantasy represents an escape from reality or an entrenchment of the supernatural ignores its true nature as a literary art, just like science fiction. It is not isolation from reality, but rather a reformulation of it in an imaginative form that allows for the exploration of complex ideas in an unconventional way.

Fantasy demands extraordinary effort from its writers to create new worlds brimming with detail and coherent rules, making it a first-rate creative art form. Like Ahmed Khaled Tawfik and Jurji Zaydan, Al-Muslim, through literature that balances entertainment and creativity and reinterprets heritage in contemporary language, became a voice for his generation, transcending the constraints of cultural elites and disregarding the approval of critics whom he considered "a clique exchanging critical compliments.".

Ultimately, not every novel is a philosophical lesson, but it can be an adventure that takes the reader to new worlds, so that the novel remains a space that blends imagination and reality, and the past and the present.

The Saudi News Network first launched on Twitter via its official account, @SaudiNews50, and quickly became one of the Kingdom's leading independent news sources, thanks to its fast and reliable coverage of major local and international events. Due to the growing trust of its followers, the network expanded by launching its website, a comprehensive news platform offering regularly updated content in the fields of politics, economics, health, education, and national events, presented in a professional style that meets the public's expectations. The network strives to enhance public awareness and provide accurate information in a timely manner through on-the-ground reporting, in-depth analysis, and a specialized editorial team, making it a trusted source for anyone seeking up-to-the-minute Saudi news.

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Culture and Art

Alfat Imam recounts the details of her financial crisis and renting her house

Artist Alfat Imam revealed details of a financial hardship that forced her to rent out her house and live with her relatives, stressing in a television interview that the experience taught her financial planning and willpower.

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Alfat Imam recounts the details of her financial crisis and renting her house

In shocking statements revealing the hidden side of celebrity life, the renowned Egyptian actress Elham Imam disclosed details of a difficult period in her life, during which she faced severe financial hardship that forced her to make crucial and difficult decisions to live with dignity. This came during her appearance on the program "Between the Lines," which airs on TEN TV, where she opened up to the audience, speaking with complete transparency about the behind-the-scenes events of that time.

Details of the crisis and seeking refuge with relatives

Actress Elham Imam confirmed that difficult financial circumstances forced her to rent out her own home to secure cash flow and a stable income to meet her living expenses. This necessitated a temporary and nomadic lifestyle, with her living in the homes of relatives. In a poignant interview, she said, "This period refined my character and made me more resilient and self-reliant." She noted that giving up her own home was not easy, but it was a necessary solution to cope with mounting burdens.

Imam added, explaining the lessons learned from this ordeal: “I learned from that experience the importance of financial planning and self-reliance, and that every difficult phase a person goes through gives them strength and determination to face future challenges.” She noted that this experience, despite its harshness, reshaped her perspective on life and responsibility.

A prolific artistic career and an unforgettable history

These statements come from an artist with a long and distinguished career in Egyptian drama, whose iconic roles have resonated deeply with audiences. Perhaps her most memorable performance was as Linda in the national epic "Raafat El-Haggan," a role she masterfully portrayed. She has also made significant contributions to other television and film productions, leaving an indelible mark on the memory of Arab viewers. Speaking of the struggles of an artist of her stature highlights the fact that artistic history doesn't always protect its practitioners from the vicissitudes of time, adding a profound human dimension to her story.

The reality of artists and the ups and downs of the profession

Alfat Imam's story opens a wide door to discussion about the precarious nature of the acting profession. Many believe that artists' lives are one of perpetual luxury, while reality suggests that a lack of roles or production halts can expose them to devastating crises. Alfat Imam's experience reflects a rare courage in confronting society and acknowledging human vulnerability, making her a model of perseverance. This candor serves as an important message to new generations about the necessity of wise financial management and not being seduced by fame, as planning for the future remains the only safeguard against the uncertainties of life.

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Culture and Art

Mai Ezz El-Din leaves the hospital after delicate surgery: details of her health condition

Learn about the health condition of artist Mai Ezz El-Din after she left the hospital and underwent intestinal surgery, the doctors’ decision to ban visits, and Laila Elwi’s message to her.

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Mai Ezz El-Din leaves the hospital after delicate surgery: details of her health condition

In news that reassured her fans in Egypt and the Arab world, Egyptian star Mai Ezz El-Din the hospital and returned home after a difficult period spent there following a sudden health crisis that required emergency surgery. Well-informed medical sources confirmed that the actress's condition is showing significant improvement. However, the medical team stressed the importance of her complete recovery at home, with visits strictly prohibited at this time to ensure she is not exposed to any stress or infection that could hinder her recovery.

Details of the surgery and health crisis

The story began when the artist's husband, fitness trainer Ahmed Taymour , announced that his wife's health had deteriorated over the past few days. Taymour explained that Mai had been suffering from pain and health problems for some time, but things worsened rapidly in the last week, necessitating her immediate transfer to the hospital for thorough medical examinations. The results revealed an intestinal abscess that had caused pus formation, requiring urgent and delicate surgery to control the situation.

Following the surgery, Mai Ezz El-Din spent several days in the intensive care unit under close observation to ensure her vital functions were functioning properly and that the operation was a success, before doctors allowed her to leave to complete her treatment in a quiet home environment, with strict emphasis on complete rest.

Support from the artistic community and solidarity from colleagues

As is customary in the artistic community during crises, stars rushed to offer their colleague moral support. Among them was the renowned actress Laila Elwy , who posted a picture of Mai Ezz El-Din on her official Instagram account, along with a touching message reflecting the depth of their friendship and affection. Elwy wrote: "O God, grant her a complete and lasting recovery. O God, remove all her pain and suffering and clothe her in health and well-being. May God heal you, my dear Mai."

Mai Ezz El-Din's status and the impact of the news

This news has sparked concern among a wide segment of the Egyptian and Arab public, given Mai Ezz El-Din's immense popularity. Mai is one of the most prominent stars of her generation, having presented a collection of successful television and film works over many years that have left a clear mark on the history of modern Egyptian art. Her news always receives significant attention, which is why the news of her illness topped search engine results and social media platforms, with fans vying to pray for her speedy recovery.

The artist is expected to stay away from the spotlight and artistic activity for a temporary period until she fully recovers, in compliance with the instructions of the doctors who believe that psychological and physical comfort is the most important factor at this stage to overcome the effects of surgery and return to her audience in full force.

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Asmaa Jalal files a complaint against Ramez Jalal with the Public Prosecutor regarding the "Level of the Beast" program

Details of Asmaa Galal's complaint against Ramez Galal to the Public Prosecutor regarding the violations of the "Level of the Monster" program. Learn about the accusations leveled against Ramez Galal, including defamation, bullying, and suggestive remarks.

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Asmaa Jalal files a complaint against Ramez Jalal with the Public Prosecutor regarding the "Level of the Beast" program

In a significant development within the Egyptian art scene, lawyer Nihad Abu El-Qomsan, representing actress Asmaa Galal, announced that she has taken formal legal action against Ramez Galal, the popular prank show host. An official complaint has been filed with the Attorney General regarding the content of the actress's episode on the show "Level of the Monster," which aired during last Ramadan. This move reopens the debate surrounding the excesses of Ramadan prank shows.

Details of the report and legal review

In an official statement issued by her office, Abu Al-Qumsan confirmed that the legal action was taken after a thorough review and complete transcription of the episode in question. She explained, "With reference to what has been circulating regarding an episode of the entertainment program, the office has transcribed the entire episode and reviewed it legally in light of the provisions of the Penal Code and the laws regulating media in Egypt." She indicated that the careful examination revealed violations that cannot be classified within the framework of artistic or entertainment work.

Accusations of slander, bullying, and verbal harassment

According to the complaint, the episode included repeated insults and personal attacks directed at the artist Asmaa Galal, as well as bullying comments and explicit sexual innuendo. The statement also noted that psychological pressure and coercion were exerted through questions about her private life, posed under duress during the prank. The lawyer emphasized that these actions were carried out publicly through a widely disseminated media outlet, thus removing them from the realm of humor and placing them within the scope of legally punishable offenses.

Context of prank shows and annual controversy

This incident comes amidst the recurring annual controversy surrounding Ramez Galal's programs. Over the years, these programs have achieved record viewership ratings both locally and regionally, yet they consistently spark sharp divisions. While some consider them essential Ramadan entertainment, others, including critics and media experts, believe they cross red lines regarding the dignity of guests and standards of psychological and physical safety. This complaint makes this latest episode in the series of legal challenges facing these types of programs.

Accepting the prank doesn't mean accepting the insult

Nihad Abu El-Qomsan emphasized a crucial legal point: an artist's initial agreement to participate in an entertainment or prank show does not, under any circumstances, constitute an open license to be subjected to insults or have their reputation and honor damaged. She clarified that any waiver of prosecution signed by a guest does not extend to actions criminalized under Egyptian law, nor does it prevent the initiation of criminal proceedings, as it is impermissible to agree to violate the law.

Impact of the incident on media standards

This legal action carries particular significance that transcends the personal dispute between the two parties, as it highlights the necessity for entertainment content creators to adhere to ethical and professional standards. The concluding statement emphasized artist Asmaa Jalal's complete respect for the media industry and its practitioners, affirming that resorting to the judiciary is a civilized means of establishing the professional and human boundaries that must be respected, and ensuring that artistic work is not confused with violations of privacy and human dignity.

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