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Arabs and turning inwards

In every crisis and challenge facing the Arab world, political, cultural, and media elites turn abroad to search for conspiracies

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In every crisis and challenge facing the Arab world, political, cultural, and media elites turn to the outside world, searching for foreign conspiracies and plots that created the crisis or the challenges facing the Arab world. The first step in the project to stop the Arab decline is to turn inward and address the problems and crises that inevitably affect overall performance, and to meet the legitimate aspirations and ambitions of the forces within. As for the policy of evading the requirements and demands of the inside and blaming the outside world for all our ills, misfortunes, and mistakes, it does not solve the problems but rather exacerbates them and makes them more intense and severe. It is high time for us in the Arab world to turn inward and discover the real factors and causes that produced and continue to produce the dire reality that Arabs live in today on more than one level. The Quranic guidance urges us to adopt a policy of introspection and to discover our own faults before blaming others. As God Almighty says, "[That is because God would never change a favor which He had bestowed upon a people until they change what is within themselves]." Therefore, the first step we must take in the face of every phenomenon, problem, or crisis is to seriously investigate the internal causes that led to it. We must first direct the blame at ourselves before pointing it at others. This methodology is summarized in the Quranic verse, "[Say, 'It is from yourselves']." In the face of every defeat, every illness or negative phenomenon, every calamity that befalls us, we must first and foremost examine our own role, our own actions, and what we have brought upon ourselves. The current state of the Arabs is the worst possible reality, and the collapse in their lives threatens their very existence. Blaming external forces alone, absolving ourselves, and dealing with ourselves with narcissism and arrogance only exacerbates our decline, weakness, and loss. We are not advocating self-flagellation or blaming ourselves for all our ills and failures, but rather calling for an understanding of the underlying causes within our political, cultural, and social spheres, which have led, in one way or another, to the dire situation we face. Furthermore, the outside world, in its relationship with us in the Arab world, is not innocent of our chronic crises and problems; on the contrary, it is a partner and a genuine actor in many of these issues.

But the balanced vision that we call for is the one that begins by turning inward, discovering reality and knowing the level of our contribution to this problem or that crisis. We cannot face the challenges of the stage, which are difficult and complex challenges, by blaming the outside and exonerating ourselves. This approach has perpetuated many elements and realities of political and cultural backwardness in the Arab world. It has also exonerated many elites who played a negative role in the course of events throughout different eras. The Almighty did not create humankind as a static entity, subject to predetermined laws that control, dictate, and shape it in a fixed and unchanging manner, leaving it with no opportunity for change or transformation. Rather, He created humankind as a dynamic entity, possessing a dynamic will, where thoughts, stances, and actions vary. This makes the course of its destiny dependent on the movement of its will. Humans shape their history through the nature of their decisions, which stem from their free will. They possess the power to change their reality by transforming the thoughts, concepts, and feelings that stir within them, thus influencing the life around them. God intended for humankind to possess freedom, enabling them to bear responsibility from a position of liberty. He compels them to confront external change through internal transformation. Humans can control their surrounding circumstances to the extent that these circumstances relate to them, rather than being controlled by them. Human beings are the creators of their circumstances, not the other way around. Religious and political coercion does not produce historical achievements, and even if it does, its impact quickly fades due to the cycle of coercion and the violation of human dignity. Therefore, we call upon all Arab states, at this sensitive and critical historical juncture, to turn their attention inward. True strength is derived from the people and society, while the real danger stems from within. Today, amidst conspiracies, developments, and transformations, we have no choice but to unite and stand firmly with our people. They are the embodiment of dignity and strength, the path to bolstering our security and unity, and the force capable of thwarting all plots and conspiracies. Let all our initiatives be directed toward our people, and let us recognize and respect all the vital and active forces within Arab society. This is a decisive historical moment, and it undoubtedly demands decisive and wise steps.

The Saudi News Network first launched on Twitter via its official account, @SaudiNews50, and quickly became one of the Kingdom's leading independent news sources, thanks to its fast and reliable coverage of major local and international events. Due to the growing trust of its followers, the network expanded by launching its website, a comprehensive news platform offering regularly updated content in the fields of politics, economics, health, education, and national events, presented in a professional style that meets the public's expectations. The network strives to enhance public awareness and provide accurate information in a timely manner through on-the-ground reporting, in-depth analysis, and a specialized editorial team, making it a trusted source for anyone seeking up-to-the-minute Saudi news.

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Picasso: A biography of the genius who changed the history of modern art

Discover the life of Pablo Picasso, the Spanish artist who revolutionized modern art. Learn about his artistic phases, from Cubism to Guernica, and his turbulent life in Paris.

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Picasso: A biography of the genius who changed the history of modern art

Pablo Picasso, the Spanish artist who made Paris the stage for his creativity, remains one of the most influential and controversial figures in the history of modern art. He was not merely a painter, but a revolutionary force who transformed concepts of beauty and artistic expression, moving masterfully between painting, sculpture, and poetry, leaving an indelible mark on the map of world culture.

From Spain to Paris: The birth of an artistic legend

Picasso was born in Malaga, Spain in 1881, and grew up in an artistic environment thanks to his father, who was a painting teacher. But his ambitions extended beyond the borders of his homeland, so at the beginning of the 20th century, he moved to Paris, which was then the world's art capital and a meeting place for creative minds. Despite immersing himself in the vibrant Parisian life and befriending artists from all corners of the globe, Picasso retained his Spanish spirit, which was clearly reflected in his works. He saw in the circus performances of Montmartre an echo of bullfighting in Spain, and he found in the clown a symbol of tragic human comedy.

The Cubist Revolution and the Redefinition of Art

Paris at that time was a cauldron of new art movements that rebelled against academic traditions. In this context, Picasso, in collaboration with Georges Braque, spearheaded an artistic revolution known as Cubism . His famous painting "Les Demoiselles d'Avignon" (1907) heralded the birth of this new movement, which shattered the rules of traditional perspective, presenting forms from multiple angles simultaneously. This was not merely a new style, but a different way of seeing the world, and this shift profoundly influenced the course of art throughout the 20th century and beyond.

Friendships and rivalries: Picasso and Matisse

A constellation of avant-garde artists gathered around Picasso, but his relationship with Henri Matisse was the most distinguished. They were both friends and rivals, each representing a pole in the world of modern art. While Matisse sought harmony and chromatic purity, Picasso delved into the depths of the human psyche and its contradictions. Despite their differing approaches, they maintained a profound mutual respect and admiration that lasted until Matisse's death, with Picasso frequently visiting his friend in the coastal city of Nice.

Art as a Mirror of Life: Artistic Phases and Women

Picasso's personal life, particularly his relationships with women, is key to understanding his artistic transformations. The colors in his paintings chronicle his different phases, from his "Blue Period," reflecting his sadness and poverty, to his "Rose Period," coinciding with his emotional stability. The women in his life, such as Fernand Olivier, Olga Koklova, and Maria Theresa Walter, were not merely lovers, but essential muses for his work, embodying his passion, anger, and love in his paintings and sculptures. He rejected the constraints of marriage and stability, seeking inspiration in the free-spirited romantic relationships that fueled his creative chaos.

Art and Politics: “Guernica” as a Cry Against War

Picasso's art was not detached from the political events that swept through Europe. His monumental mural "Guernica" (1937) the most powerful political statement in the history of art. Picasso painted it as a reaction to the Nazi bombing of the Basque village of Guernica during the Spanish Civil War. With its somber, monochromatic colors and its depiction of civilian suffering, this painting has become an enduring global symbol of the tragedies of war and a resounding cry against violence and brutality.

Khaled's legacy: Between poetry and madness

Picasso didn't confine himself to the brush and chisel; his creativity extended to the world of words, as he wrote poetry, which he saw as an extension of his painting. He used to say, "I compose the image, and I paint the poem." This intermingling of the arts reflects a comprehensive genius that refused to conform to any mold. As his friend Fernand described him, Picasso was "a flame that burned through his blood and attracted, like a magnet, everyone who knew him." His legacy is not merely a collection of paintings and sculptures, but a constant call to rebel against the familiar, and an affirmation that art, as he himself said, is "a lie that helps us discover the truth.".

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Iraqi artist Maksad Al-Hilli dies at the age of 71

The Iraqi Artists Syndicate mourned the passing of the great artist Maqsoud Al-Hilli, who died after a battle with illness. Al-Hilli was one of the most prominent Iraqi folk singers and left behind a timeless artistic legacy.

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Iraqi artist Maksad Al-Hilli dies at the age of 71

The Iraqi Artists Syndicate announced on Wednesday the death of the great Iraqi artist, Maqsoud Al-Hilli, at the age of 71, after a long struggle with a terminal throat disease, bringing to a close an artistic career full of contributions that enriched the Iraqi conscience for decades.

In a moving official statement published on its Facebook page, the Iraqi Artists Syndicate mourned the late artist with profound words: “With deep sorrow and grief, the Iraqi Artists Syndicate mourns the passing of the artist Maqsoud Al-Hilli.” The Syndicate prayed for God’s mercy and forgiveness for the deceased, and that He grant his family, loved ones, and colleagues patience and solace in this great loss that has befallen the Iraqi artistic community.

The health condition of the late artist had deteriorated significantly in his last days, which necessitated his urgent transfer to Baghdad Medical City Hospital, where he was admitted to the intensive care unit to receive the necessary treatment, but God’s will prevailed.

Context and History: A Voice from the Land of Babylon

The singer Maqsoud Al-Hilli was born in the village of Anana in the province of Hilla (Babylon), a city steeped in history and civilization, and known as a wellspring of poets, intellectuals, and artists. Al-Hilli grew up in a traditional rural environment, immersing himself from a young age in its rich musical heritage, which later shaped his artistic identity. He rose to prominence in the 1970s, considered the golden age of Iraqi song, appearing alongside giants of rural music such as Yass Khader, Hussein Neama, and Saadoun Jaber, and carving out a unique niche for himself thanks to his powerful voice and distinctive performance style.

Artistic significance and cultural impact

Maksad al-Hilli is considered one of the pillars of Iraqi rural singing, an art form characterized by its profound emotion and close connection to the land, its people, and the southern and Euphrates environment. Al-Hilli was renowned for his powerful and unique voice, which enabled him to perform the most challenging rural singing styles and authentic Iraqi mawwals such as the "Abudhiya." He was not merely a singer, but a faithful custodian of the heritage, contributing significantly to documenting this musical genre and protecting it from extinction in the face of modern musical trends.

The passing of Maqsoud Al-Hilli is not only a loss for his family and fans, but a profound loss for Iraqi culture as a whole. With his departure, Iraq loses a truly authentic national voice that served as a living memory of a significant part of its artistic and popular history. Al-Hilli left behind a rich artistic legacy of songs that will remain etched in the hearts of Iraqis, and he established an artistic school that inspired many young artists who sought to follow in his footsteps in preserving authentic Iraqi musical identity.

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Culture and Art

Menna Fadali: Details of the attempt to kidnap me and my stance on the nursing home

Egyptian artist Menna Fadali reveals for the first time that she was subjected to an armed kidnapping attempt, and how the experience prompted her to learn kickboxing, and explains her opinion on aging.

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Menna Fadali: Details of the attempt to kidnap me and my stance on the nursing home

Menna Fadali reveals a shock that changed her life

In a poignant statement, prominent Egyptian actress Menna Fadali revealed details of a shocking incident she experienced years ago, when she narrowly escaped a kidnapping attempt by armed men. Fadali, known for her diverse roles in Egyptian cinema and television, confirmed that the incident left a profound psychological impact that continues to haunt her, noting that it radically altered her perspective on life and safety.

During a television interview, she explained that she was surprised to find armed individuals attempting to overpower her, which terrified her and caused her immense psychological distress. She described the details of that night as still haunting her whenever she recalls them, reflecting the profound trauma she experienced. This incident highlights the security challenges faced by celebrities and public figures, whose increased public profile makes them more vulnerable to such risks, thus sparking a broader discussion about privacy and personal safety in the age of fame.

From fear to strength: Kickboxing as a means of self-defense

Menna Fadali didn't let the fear instilled in her by the experience stop her; instead, she decided to transform this negative feeling into a positive motivator. She indicated that this incident was the direct reason behind her decision to learn kickboxing. She emphasized that mastering self-defense wasn't just a hobby, but a means to enhance her sense of security and self-confidence, and to empower her to protect herself in difficult situations. This transformation reflects a powerful message about women's empowerment and the importance of possessing the necessary tools for self-defense, a topic that resonates widely both locally and regionally, as calls increase to raise women's awareness of their rights and their ability to confront violence.

A philosophical view of aging and the concept of nursing homes

In another part of her interview, Menna Fadali addressed her perspective on aging, emphasizing that she does not fear this natural stage of life. She believes that changes in appearance and the appearance of wrinkles are signs that reflect a person's journey and experiences. Regarding the idea of ​​living in a nursing home in the future, she explained that she is not considering this option, justifying this by saying that she is accustomed to solitude and feels self-sufficient and emotionally fulfilled. This opinion touches on an important social and cultural issue in the Arab world, where the idea of ​​nursing homes is still associated negatively in the minds of many, while others see it as a choice for independence in old age. Fadali's remarks open the door to a societal discussion about the changing family and social values ​​with the evolution of lifestyles.

She concluded her speech with a calm, philosophical view of life and death, stressing that the idea of ​​death does not frighten her, and that what concerns her most is achieving inner peace, living with purity and a clear heart, and being careful not to harm others, which reflects a depth in her personality that transcends the spotlight and fame.

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